Bøger af Jonathan Cross

Igor Stravinsky was a celebrity composer in an increasingly celebrity-obsessed age. He was a true modern, a man of his time. Stravinsky's extraordinary music reflected and shaped his own times, and resonates with audiences even today. Stravinsky tells of a colourful life lived against the backdrop of the twentieth century's wars and revolutions.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Title: Five years in the Alleghanies.Author: Jonathan CrossPublisher: Gale, Sabin Americana Description: Based on Joseph Sabin's famed bibliography, Bibliotheca Americana, Sabin Americana, 1500--1926 contains a collection of books, pamphlets, serials and other works about the Americas, from the time of their discovery to the early 1900s. Sabin Americana is rich in original accounts of discovery and exploration, pioneering and westward expansion, the U.S. Civil War and other military actions, Native Americans, slavery and abolition, religious history and more.Sabin Americana offers an up-close perspective on life in the western hemisphere, encompassing the arrival of the Europeans on the shores of North America in the late 15th century to the first decades of the 20th century. Covering a span of over 400 years in North, Central and South America as well as the Caribbean, this collection highlights the society, politics, religious beliefs, culture, contemporary opinions and momentous events of the time. It provides access to documents from an assortment of genres, sermons, political tracts, newspapers, books, pamphlets, maps, legislation, literature and more.Now for the first time, these high-quality digital scans of original works are available via print-on-demand, making them readily accessible to libraries, students, independent scholars, and readers of all ages.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++SourceLibrary: Huntington LibraryDocumentID: SABCP01184600CollectionID: CTRG93-B4097PublicationDate: 18630101SourceBibCitation: Selected Americana from Sabin's Dictionary of books relating to AmericaNotes: Attributed to Jonathan Cross.Collation: 206 p., [1] leaf of plates: ill.; 16 cm

Five Years in the Alleghanies - Vol. 1 is an unchanged, high-quality reprint of the original edition of 1863.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

This book is all about the current state of music, about thinking, speaking, and writing about music in the immediate aftermath of that stirring and crucial twentieth century. Five distinguished authors with very different backgrounds, subscribe to the same seriousness of purpose: Jonathan Cross, Jonathan Harvey, Helmut Lachenmann, Albrecht Wellmer and Richard Klein. Two of them are British, three are Germans; two are prominent composers, both keen and provocative writers about music, one is a musicologist and daring critic who specializes in contemporary music, two are philosophers and Adorno specialists dealing with such fundamental and highly complex matters as music and language, and music and time. It makes a fascinating read.

Hailed at its premiere at the London Coliseum in 1986 as the most important musical and theatrical event of the decade, "The Mask of Orpheus" is undoubtedly a key work in Harrison Birtwistle's output. This title presents a study of this 'lyric tragedy' that places it in the wider context of the reception of the Orpheus myth.

Love it or loathe it, few would disagree that the music of Harrison Birtwistle stands amongst the most assured, original and challenging music ever to have been produced by a British composer. While for some the uncompromisingly modernist surface of his music can be an obstacle to closer acquaintance, for others, it is Birtwistle's articulation of deep aspects of the human psyche that continues to excite and fascinate. In this book, Jonathan Cross - a leading commentator on contemporary music - aims to uncover the sources of Birtwistle's thinking, and to present a critical account of his musical, dramatic and aesthetic preoccupations through an examination of such topics as theatre, myth, ritual, pastoral, pulse and line. He offers a range of contexts within which the music can be understood so that the curious and the initiated alike may be drawn towards new and enriching experiences of the extraordinarily powerful music of Harrison Birtwistle.