Bøger af Jonathan Ellis

Since its release, Annie Hall has established itself as a key film for Woody Allen's career and the history of romantic comedy more generally. At the 1978 Academy Awards, it won Oscars for Best Film, Best Director, Best Screenplay, and Best Actress and is regularly cited as one of the greatest film comedies ever released, credited with influencing directors such as Wes Anderson, Noah Baumbach, Richard Linklater, Greta Gerwig and Desiree Akhavan. This lively collection brings a new ethical and philosophical perspective to bear on Allen's work quite different from previous generations of scholars.At the same time as exploring the film's continuing influence on contemporary cinema, this book's contributors engage explicitly and implicitly with ongoing debates about Allen's cinematic output following the renewal of accusations against Allen by his adopted daughter Dylan Farrow in 2014 and 2018. The book is alive to debates within film studies about the limits of auteur theory and the role of the spectator.

The objective of the meeting was to bring together practitioners of two different approaches to the unification of the fundamental par ticle interactions: supersymmetry and supergravity on the one hand, and grand unified gauge theories on the other hand.

Offers evidence for a redirection in Elizabeth Bishop studies to scrutinize the links between her art and life. This book is concerned with the ways in which she refracted key events into writing: personal, unpublished material and stories, poems, and paintings. Thus, it repositions her poetry between the Modernists and the Confessionals.