Bøger af Jonathan Goldberg

In Sappho, Jonathan Goldberg takes as his model the fragmentary state in which this sublime poet's writing survives, a set of compositional and theoretical resources for living and thinking in more fully erotic ways in the present and the future. This book thus offers fragmentary commentary on disparate (Sapphic) works, such as the comics of Alison Bechdel, the paintings and cartoons of Leonardo da Vinci, Robert Reid-Pharr's "Living as a Lesbian," Madeleine de Scudéry's Histoire de Sapho, John Donne's "Sapho to Philaenis," Todd Haynes and Patricia Highsmith's Carol, Virginia Woolf's Orlando, writings by Willa Cather, and the paintings and writings of Simeon Solomon, among other works. Goldberg challenges readers to imagine and experience what Sarah Orne Jewett named the "country of our friendship," a love both exceedingly strange and compellingly familiar.Just as Sappho's coinage "bitter-sweet" describes eros as inextricably contradictory - two things at once, one thing after another, each interrupting, complicating, each other - the juxtapositions in this book mean to continually call into question categories of identity and identification in the wake of a quintessential woman writer from Lesbos. Over and over again, Goldberg's Sappho: ]fragments inquires into how race, sexuality, and gender cross each other. The theoretical genius of Eve Kosofsky Sedgwick presides over this set of meditations and mediations on likeness and desire. Rather than homogenizing its many subjects, it invites the reader to explore and inhabit new transits within and through what Audre Lorde called "the very house of difference."With an Afterword, "After-Party: Sappho Meets Freud," written by L.O. Aranye Fradenburg Joy.

At the very cutting edge of its field, an indispensable guide to the sexuality of the world that preceded our own Alan J. M. Bray Sodometries is a stunning book: the complexity of its intelligence and the beauty of its stylistic accomplishments take one s breath away. Journal of the History of Sexuality"

Being of Two Minds examines the place that early modern literature held in Modernist literary criticism. For T. S. Eliot, Virginia Woolf, and William Empson, the early modern period helps model a literary future. At stake in their engagements across time were ontological questions about literature and its ability to mediate between the one and the many, the particular and the general, life and death, the past and the present. If reading and writing literature enables the mind to be in two places at once, creative experience serves as a way to participate in an expanded field of consciousness alongside mortality.Goldberg reads the readings that these modernists performed on texts that Eliot claimed for the canon like the metaphysical poets and Jacobean dramatists, but also Shakespeare, Milton, Montaigne, and Margaret Cavendish. Ontological concerns are reflected in Eliot's engagement with Aristotle's theory of the soul and Empson's Buddhism. These arguments about being affect minds and bodies and call into question sexual normativity: Eliot glances at a sodomitical male-male mode of literary transmission; Woolf produces a Judith Shakespeare to model androgynous being; Empson refuses to distinguish activity from passivity to rewrite gender difference.The work of one of our leading literary and cultural critics, Being of Two Minds spans centuries to show how the most compelling and surprising ideas about mind, experience, and existence not only move between early modernity, high modernism, and our own moment, but are also constituted through that very movement between times and minds.

Saint Marks is a study based on the multiple representations of St. Mark, with a focus on Venetian Renaissance paintings and the gospel attributed to him, and theoretical work by philosophers and art historians who consider the afterlives of art works and our attachments to them. The life studied in this book is a materiality that exceeds human mortality.

These essays investigate the materiality of the world in Spenser, Cary and Marlowe; its sociability, sexuality and sovereignty in Shakespeare; and the universality of spirit, gender and empire in Vaughan, Donne and the dastan (tale) of Chouboli, a Rastanjani princess.

Offering a new queer theorization of melodrama, Jonathan Goldberg explores the ways melodramatic film and literature provide an aesthetics of impossibility and how melodrama as a whole provides queer ways to promote identifications that exceed the bounds of the identity categories that regulate and constrain social life.

Alfred Hitchcock's 1951 thriller based on the novel of the same name by Patricia Highsmith (author of The Talented Mr. Ripley) is about two men who meet on a train: one is a man of high social standing who wishes to divorce his unfaithful wife; the other is an enigmatic bachelor with an overbearing father. Together they enter into a murder plot that binds them to one another, with fatal consequences.This Queer Film Classic delves into the homoerotic energy of the film, especially between the two male characters (played by Farley Granger and Robert Walker). It builds on the question of the sexuality the film puts on view, not to ask whether either character is gay so much as to explore the queer relations between sexuality and murder and the strong antisocial impulses those relations represent. The book also includes a look at the making of the film and the critical controversies over Hitchcock's representations of male homosexuality.QUEER FILM CLASSICS is a critically acclaimed film book series that launched in 2009. It features twenty-one of the most important and influential films about and/or by LGBTQ people, made in eight different countries between 1950 and 2005, and written by leading LGBTQ film scholars and critics.Jonathan Goldberg is a professor at Emory University, where he directs the Studies in Sexualities program. He is the author of many books and editor of Eve Kosofsky Sedgwick's posthumous 2012 book The Weather in Proust.

Explores three social domains for textual production - the sixteenth-century English court as the location of high literariness; the theater, especially as a site for controversy around cross-dressing; and, the New World as the place where the slaughter of native populations was carried out in the name of ridding the hemisphere of sodomites.

Translates one of the many ways in which Lucretius names the basic matter from which the world is made in De rerum natura. This book should be of concern to students of religion, and sexuality, especially as they impinge on questions of representation. It emphasizes the consequences for thinking about sexuality offered by Lucretian materialism.

In readings ranging from early-16th- through late-17th-century texts, this book aims to resituate women's writing in the English Renaissance by studying the possibilities available to these writers by virtue of their positions in society and by their articulation of the desire to write.

With a focus on Willa Cather's artistic principle of "the thing not named," this book illuminates the contradictions and complexities inherent in notions of identity and shows how her fiction transforms the very categories-regarding gender, sexuality, race, and class-around which most recent Cather scholarship has focused.

A bold and important collection, surveying how the view of homosexual activities as socially dangerous has been perpetuated by the state, the church, the law and other institutions. A much- needed contribution to studies on sexuality.