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Nigerian video films-dramatic features shot on video and sold as cassettes-are being produced at the rate of nearly one a day, making them the major contemporary art form in Nigeria. The history of African film offers no precedent for such a huge, popularly based industry.
In this book, Haynes presents a detailed literary historical argument about the sources and consequences of Jonson's realism. He examines the entanglements of life and art in Jonson's time both through a look at the life of that period and through insightful readings of Jonson's plays.
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