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«This volume epitomizes Jost Hermand¿s inimitable talent of synthesizing wide-ranging disciplines in an accessible and compelling style, bringing to life the experiences of musicians and their public in the context of their own times. These essays also give us a glimpse into how his own life experiences created the hunger for culture that defined his long and illustrious career.» (Pamela M. Potter, Professor of German and Musicology, University of Wisconsin¿Madison)¿«Jost Hermand¿s final book is an enormously rich gift to posterity. The fifteen essays on musical culture that constitute this collection contain brief but illuminating glimpses of the whole glorious parade of serious music and those who composed, cultivated, and commented on it in the German lands, from Buxtehude to Stockhausen and beyond. His insight and well-observed contextualization reveals a lifetime of scholarship and experience.» (Celia Applegate, Professor of History, Vanderbilt University)¿In contrast to the writings of many other musicologists, this book is not primarily concerned with the biographies of certain composers or a structural analysis of their major compositions, but rather with the stands they took in the ideological struggles during their lifetimes and how these affected some of their most important works. Beginning with the late seventeenth century, special emphasis is thereby given to Pietism, orthodox Lutheranism, the impact of the French Revolution, the restrictive measures of the Metternich period, the Wilhelminian era, Expressionism, the New Objectivity and the materialist aesthetics of the Weimar Republic, fascism, exile and the modernism of the early Federal Republic of Germany.
New essays examining Goethe's relationship to the Jews, and the contribution of Jewish scholars to the fame of the greatest German writer.
Ranging from Hellenistic pastoral to the contemporary counterculture activities of the "Greens," the essays in this volume underscore the complexity of simplicity. Whether the simple life is located in a culture's past or in its future, in a secluded corner or beyond society's boundaries, it remains a fascinating subject for discussion.
This book analyzes the highly complex interconnections among the cultural-political concepts of various ideological groups and asks why the most artistically ambitious art forms were viewed as politically important by all cultured (or even semi-cultured) Germans in the period from 1933 to 1945...
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