Bøger af Judith Gautier

Le Dragon Impérial, est un livre classique et rare, qui a été considéré comme important tout au long de l'histoire de l'humanité, et pour que cet ouvrage ne soit jamais oublié, chez Alpha Editions, nous avons fait des efforts pour sa préservation en rééditant ce livre dans un format moderne pour les générations présentes et futures. . Tout ce livre a été reformaté, retapé et repensé. Ces livres ne sont pas constitués de copies numérisées de leur ¿uvre originale et leur texte est donc clair et lisible. Ce livre remarquable s'inscrit dans les genres de Language and Literatures, Romance literatures

En chine: Merveilleuses histoires, est un livre classique et rare, qui a été considéré comme important tout au long de l'histoire de l'humanité, et pour que cet ouvrage ne soit jamais oublié, chez Alpha Editions, nous avons fait des efforts pour sa préservation en rééditant ce livre dans un format moderne pour les générations présentes et futures. . Tout ce livre a été reformaté, retapé et repensé. Ces livres ne sont pas constitués de copies numérisées de leur ¿uvre originale et leur texte est donc clair et lisible. Ce livre remarquable s'inscrit dans les genres de History, General and Eastern Hemisphere

Les Peuples Étranges is a collection of stories and poems by the renowned French author Judith Gautier. Inspired by her travels in Asia and the Middle East, these tales evoke a sense of exoticism and mystery while also exploring universal themes such as love, loss, and the search for meaning.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In this compelling biography of composer Richard Wagner, author Judith Gautier explores the life and work of one of the most influential figures in the history of music. Drawing on a range of sources and incorporating insights from the author's own experiences, this book provides a unique perspective on the man and his music.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Thoroughly to understand China, one must realize that it has for three hundred years cherished in its heart a deep and continually bleeding wound. When the country was conquered by the Manchus of Tartary, the ancient dynasty of the Mings was forced to yield the throne to the Tzin invaders, but the Chinese nation never ceased to mourn the ancient dynasty nor to hope for its restoration. Revolution is therefore a permanent thing in China-a fire which smoulders eternally, breaking into flame in one province only to be smothered and blaze out again presently in another. No doubt the Yellow Empire is too immense to permit of complete understanding among the revolutionaries, or of collective effort to break off the Tartar yoke. Several times, nevertheless, the Chinese race has been near to victory. When, some twenty years ago, certain events, which Europe never really understood, brought about an upheaval in China, the revolutionaries, victorious for a time, proclaimed at Nang-King an emperor of Chinese blood and of the dynasty of the Mings. His name was Ron-Tsin-Tse, which means: The Final Flowering, and by the faithful his era was called Tai-Ping-Tien-Ko, which is as much as to say: The Empire of the Great Celestial Peace. He reigned seventeen years, concurrently with the Tartar Emperor at Pekin and almost within the shadow of that city. Later, the authorities forced a complete suppression of his history: all records of it were confiscated and burned, and men were forbidden, under penalty of death, even to utter his name. Here, however, is the translation of a passage relating to him which occurs in a voluminous report addressed by the Tartar general Tsen-Konan-Wei, to the Emperor at Pekin: "When the revolutionaries rose in the province of Chan-Tung (he says) they possessed themselves of sixteen provinces and six hundred cities. Their guilty chief and his criminal friends had become really formidable. All their generals fortified themselves in the places they had taken, and not until they had stood three years of siege were we again Masters in Nang-King. At this time the rebel army numbered more than two hundred thousand men, but not one of them would surrender. The moment they perceived themselves lost they set fire to the palace and burned themselves alive. Many of the women hanged or strangled themselves, or threw themselves into the lakes in the gardens. However, I succeeded in making one young woman prisoner, and pressed her to tell me where the Emperor was. 'He is dead, ' she replied; 'vanquished, he poisoned himself.' But immediately the new Emperor was proclaimed in the person of his son, Hon-Fo-Tsen. She led me to the old Emperor's tomb, which I ordered broken open. In it was found in fact the Emperor's body, enveloped in a shroud of yellow silk embroidered with dragons. He was old, bald, and had a white mustache. I caused his body to be burned and his ashes to be thrown to the winds. Our soldiers destroyed all that remained within the walls: there were three days and nights of killing and pillage. However, one troop of several thousands of rebels, very well-armed, succeeded in escaping from the city, dressed in the costumes of our dead, and it is to be feared that the new Emperor was able to escape with them." This Emperor, Hon-Fo-Tsen, who, in fact, did succeed in fleeing from Nang-King, was looked upon by the real Chinese as their legitimate sovereign, and his descendants in secret no doubt reigned after him uninterruptedly.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Le Vieux De La Montagne Judith Gautier Colin, 1893

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Le Lion De La Victoire Judith Gautier L. Frinzine, 1887

This Is A New Release Of The Original 1911 Edition.

La gloire des poètes, en Chine, ne se fonde pas comme chez les autres nations: plus lente à venir, elle y est plus juste aussi et infiniment plus durable. Jamais il n'est arrivé, dans cet antique empire, - sauf peut-être en des jours récents et sous l'influence étrangère, - qu'un poète ait eu l'outrecuidance de juger, lui-même, ses vers dignes d'être imprimés, et d'en former un recueil. Mais, dans une réunion de lettrés, par exemple, chacun, a tour de rôle, chante les vers qu'il a composés; il est écouté religieusement et si l'un des poèmes semble vraiment hors ligne, on demande à l'auteur la faveur de le copier. Ceux qui le gardent, sur leurs tablettes, le redisent dans d'autres milieux, permettent qu'il soit copié de nouveau, et ainsi, peu à peu, dans un cercle choisi, le nom du poète se diffuse comme un suave parfum...

" ... N'ai-je pas eu l'audace, il y a quelques mois, de publier, avec une étourderie bien française, n'ayant entendu, à l'orchestre, de l'oeuvre gigantesque, que quelques fragments médiocrement exécutés, me fiant à mon seul instinct et emportée par mon enthousiasme, une série d'articles sur Richard Wagner ? J'avais même attaqué une étude sur Glück et Wagner que publiait Ernest Reyer, - un ami qui m'avait vue naître, et qui fut stupéfait par cette agression imprévue: - la jeunesse ne doute de rien. Il m'avait d'ailleurs courtoisement répondu et cette passe d'armes avait fait un beau bruit. Après beaucoup d'hésitations, j'avais envoyé à Wagner, alors à Lucerne, les articles, accompagnés d'une lettre dans laquelle je le priais d'excuser mes erreurs et de les corriger. Puis, avec angoisse, j'avais espéré et attendu une réponse. Viendrait-elle ? je ne pouvais le croire et pourtant j'avais un serrement de coeur, chaque matin, de ce que le courrier n'apportait rien..."

Le livre de Jade, est un livre classique et rare, qui a été considéré comme important tout au long de l'histoire de l'humanité, et pour que cet ouvrage ne soit jamais oublié, chez Alpha Editions, nous avons fait des efforts pour sa préservation en rééditant ce livre dans un format moderne pour les générations présentes et futures. . Tout ce livre a été reformaté, retapé et repensé. Ces livres ne sont pas constitués de copies numérisées de leur ¿uvre originale et leur texte est donc clair et lisible. Ce volume remarquable s'inscrit dans les genres de Language and Literatures Languages and literatures of Eastern Asia, Africa, Oceania

Mémoires d'un Éléphant blanc, est un livre classique et rare, qui a été considéré comme important tout au long de l'histoire de l'humanité, et pour que cet ouvrage ne soit jamais oublié, chez Alpha Editions, nous avons fait des efforts pour sa préservation en rééditant ce livre dans un format moderne pour les générations présentes et futures. . Tout ce livre a été reformaté, retapé et repensé. Ces livres ne sont pas constitués de copies numérisées de leur ¿uvre originale et leur texte est donc clair et lisible. Ce volume remarquable s'inscrit dans les genres de Language and Literatures Juvenile belles lettres

Le paravent de soie et d'or, est un livre classique et rare, qui a été considéré comme important tout au long de l'histoire de l'humanité, et pour que cet ouvrage ne soit jamais oublié, chez Alpha Editions, nous avons fait des efforts pour sa préservation en rééditant ce livre dans un format moderne pour les générations présentes et futures. . Tout ce livre a été reformaté, retapé et repensé. Ces livres ne sont pas constitués de copies numérisées de leur ¿uvre originale et leur texte est donc clair et lisible. Ce volume remarquable s'inscrit dans les genres de Language and Literatures Romance literatures French, Italian, Spanish, Portuguese

Richard Wagner and His Poetical Work, from "Rienzi" to "Parsifal", a classical book, has been considered essential throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

" Que le lecteur veuille bien ne considérer les premières pages de ce livre que comme un fragment des mémoires que je publierai peut-être un jour, non que ma vie vaille la peine d'être racontée, mais parce qu'elle a côtoyé souvent celle d'artistes très illustres. - Car il ne s'agit ici que de quelques souvenirs, écrits comme pour moi-même, souvenirs recueillis en plusieurs années de relations suivies avec Richard Wagner. Les livres publiés sur le Maître, dans toutes les langues, dans tous les styles, pour le combattre ou le glorifier, empliraient une bibliothèque; le catalogue seul de ces critiques, études, biographies, formerait un volume; tout a donc été dit sur ses défaites et ses victoires, et sur ce que l'on veut appeler son système musical; il est donc inutile de le redire une fois de plus. J'ai renoncé d'ailleurs, depuis peu, à toute idée de prosélytisme; après avoir longtemps combattu, j'abandonne la lutte, au moment où pour beaucoup la victoire semble probable. J'ai pour cela des raisons que je ne veux qu'indiquer et qui me semblent décisives..."

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

" J'ai commencé la vie par une passion. Aussi extraordinaire que cela puisse paraître, c'est cependant tout à fait certain, et cette passion, qui eut, comme toujours, ses joies et ses peines, aboutit à un chagrin dont la violence n'a jamais été, pour moi, égalée. On m'a raconté que j'avais montré beaucoup de répugnance à venir au monde: la figure voilée de mon bras replié, je me refusais obstinément à faire mon entrée dans cette vie, et, y ayant été contrainte, je manifestai mon déplaisir par un véritable accès de fureur: j'avais saisi, en criant, les doigts du médecin et je m'y cramponnais de telle façon, qu'incapable d'agir, il fut obligé de les secouer vivement et s'écria, très stupéfait: - Mais qu'est-ce que c'est qu'un pareil petit monstre ?..."

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Le Collier Des Jours: Le Troisième Rang Du Collier Judith Gautier F. Juven, 1909 Music; Genres & Styles; Opera; Music / Genres & Styles / Opera; Travel / Europe / France

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

... Cet homme, jeune encore et d'agréable mine, était singularisé au plus haut point par l'extrême mobilité de ses traits qui ne laissaient aucun sentiment inexprimé, se tendant, se ridant, s'allongeant ou s'épanouissant sous les diverses influences d'un esprit sans doute très prompt; ses petits yeux, que tour à tour couvraient et découvraient des paupières clignotantes, roulaient avec tant de vitesse tant de pensées joyeuses, malignes ou bizarres, qu'ils faisaient songer par leur palpitant éclat au miroitement du soleil sur l'eau; et sa bouche bien faite, toujours entrouverte par quelque sourire, laissait voir deux rangées de jolies dents blanches, gaies de luire au grand jour et de mêler leurs paillettes claires aux étincelles du regard. Tout cet être était délicat, fluet; on pressentait des dextérités infinies dans la frêle élégance de ses membres; il devait monter aux arbres comme un singe et franchir les rivières comme un chat sauvage; ses petites mains étroites, un peu maigres, aux ongles plus longs que les doigts, étaient certainement capables de tisser des toiles d'araignées ou de broder une pièce de vers sur la corolle d'une fleur de pêcher...

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Courtisanes Japonaises Judith Gautier Société d'éditions littéraires et artistiques, 1900