Bøger af Julia Alvarez

A novel of Latin American life.

Literary icon Julia Alvarez, bestselling author of In the Time of the Butterflies shares an inventive and emotional novel about storytelling and her homeland of the Dominican Republic. Alma Cruz, the celebrated writer at the heart of The Cemetery of Untold Stories, doesn't want to end up like her friend, a novelist who fought so long and hard to finish a book that it threatened her sanity. So when Alma inherits a small plot of land in the Dominican Republic, her homeland, she has the beautiful idea of turning it into a place to bury her untold stories--literally. She creates a graveyard for the manuscript drafts and revisions, and the characters whose lives she tried and failed to bring to life and who still haunt her. Alma wants her characters to rest in peace. But they have other ideas, and the cemetery becomes a mysterious sanctuary for their true narratives. Filomena, a local woman hired as the groundskeeper, becomes a sympathetic listener as Alma's characters unspool their secret tales. Among them: Bienvenida, the abandoned second wife of dictator Rafael Trujillo, consigned to oblivion by history, and Manuel Cruz, a doctor who fought in the Dominican underground and escaped to the United States. The characters defy their author: they talk back to her and talk to one another behind her back, rewriting and revising themselves. The Cemetery of Untold Stories asks: Whose stories get to be told, and whose buried? Finally, Alma finds the meaning she and her characters yearn for in the everlasting vitality of stories. Readers of Isabel Allende's Violeta and Barbara Kingsolver's Demon Copperhead will devour Alvarez's extraordinary new novel about beauty and authenticity, and will be reminded that the stories of our lives are never truly finished, even at the end.

Literary icon Julia Alvarez, the international bestselling author of In the Time of the Butterflies , returns with an inventive and emotional novel about storytelling that will be an instant classic.Alma Cruz, the celebrated writer at the heart of The Cemetery of Untold Stories , doesn't want to end up like her friend, a novelist who fought so long and hard to finish a book that it threatened her sanity. So when Alma inherits a small plot of land in the Dominican Republic, her homeland, she has the beautiful idea of turning it into a place to bury her untold stories - literally. She creates a graveyard for the manuscript drafts and revisions, and the characters whose lives she tried and failed to bring to life and who still haunt her.Alma wants her characters to rest in peace. But they have other ideas, and the cemetery becomes a mysterious sanctuary for their true narratives. Filomena, a local woman hired as the groundskeeper, becomes a sympathetic listener as Alma's characters unspool their secrets. Among them: Bienvenida, the abandoned wife of dictator Rafael Trujillo, consigned to oblivion by history, and Manuel Cruz, a doctor who fought in the Dominican underground and escaped to the United States.The characters defy their author: they talk back to her and talk to one another behind her back, rewriting and revising themselves. The Cemetery of Untold Stories asks: Whose stories get to be told, and whose buried? Finally, Alma finds the meaning she and her characters yearn for in the everlasting vitality of stories.Readers of Isabel Allende's Violeta and Barbara Kingsolver's Demon Copperhead will devour Alvarez's extraordinary new novel about beauty and authenticity, and will be reminded that the stories of our lives are never truly finished, even at the end.

For use in schools and libraries only. Tyler's father is injured in a tractor accident, and his family hires migrant Mexican workers to help save their Vermont farm from foreclosure. Tyler isn't sure what to make of these workers and the three daughters, particularly Mari, the oldest.

After Tyler's father is injured in a tractor accident, his family is forced to hire migrant Mexican workers to help save their Vermont farm from foreclosure. Tyler isn't sure what to make of these workers. Are they undocumented? And what about the three daughters, particularly Mari, the oldest, who is proud of her Mexican heritage but also increasingly connected her American life. Her family lives in constant fear of being discovered by the authorities and sent back to the poverty they left behind in Mexico. Can Tyler and Mari find a way to be friends despite their differences? In a novel full of hope, but no easy answers, Julia Alvarez weaves a beautiful and timely story that will stay with readers long after they finish it. "From the Hardcover edition."

In the early 1960s in the Dominican Republic, twelve-year-old Anita learns that her family is involved in the underground movement to end the bloody rule of the dictator, General Trujillo.

"Anita de la Torre never questioned her freedom living in the Dominican Republic. But by her 12th birthday in 1960, most of her relatives have emigrated to the United States, her Tâio Toni has disappeared without a trace, and the government's secret police terrorize her remaining family because of their suspected opposition of el Trujillo's dictatorship. Using the strength and courage of her family, Anita must overcome her fears and fly to freedom, leaving all that she once knew behind. From renowned author Julia Alvarez comes an unforgettable story about adolescence, perseverance, and one girl's struggle to be free"--

A new paperback edition of Julia Alvarez's beloved Pura Belpre winner about life in Trujillo's Dominican Republic. "Diary entries written by a child while in hiding will remind readers of Anne Frank's story." --SLJ Anita de la Torre never questioned her freedom living in the Dominican Republic. But by her twelfth birthday in 1960, most of her relatives have immigrated to the United States, her Tio Toni has disappeared without a trace, and the government's secret police terrorize her remaining family because of their suspected opposition to Trujillo's iron-fisted rule. Using the strength and courage of her family, Anita must overcome her fears and fly to freedom, leaving all that she once knew behind. From renowned author Julia Alvarez comes an unforgettable story about adolescence, perseverance, and one girl's struggle to be free. A Miami Herald Best Book of the Year Winner of the Americas Award for Children's and Young Adult Literature Winner of the Pura Belpre AwardAn ALA-YALSA Best Book for Young AdultsAn ALA-ALSC Notable Children's Book "A stirring work of art." --Publishers Weekly, Starred Review "A realistic and compelling account of a girl growing up too quickly while coming to terms with the cost of freedom." --The Horn Book, Starred Review "Diary entries written by the child while in hiding will remind readers of Anne Frank's story. . . . Readers will bite their nails as the story moves to its inexorable conclusion." --SLJ "Alvarez's story will spark intense discussion about politics and family." --Booklist

"When celebrated writer Alma Cruz inherits a small plot of land in the Dominican Republic, she turns it into a place to bury her untold stories--literally. She creates a graveyard for manuscript drafts and revisions and the characters whose lives she tried and failed to bring to life and who still haunt her. Alma wants her characters to rest in peace, but they have other ideas, and the cemetery becomes a mysterious sancctuary for their true narratives."--

Una extraordinaria e ingeniosa novela sobre la narración de historias y lo que pasa con las que nunca contamos, de la querida autora bestseller de En el tiempo de las mariposas y De cómo las muchachas García perdieron el acento. Cementerio de las historias no contadas es la historia de Alma Cruz, una escritora que se acerca al final de su carrera y de su vida, y no quiere terminar como una colega y mentora suya, quien por mucho tiempo luchó por acabar una novela que nunca terminó y casi la enloquece. Después de la muerte de sus ancianos padres, Alma y sus hermanas heredan pequeños terrenos en la República Dominicana. Alma elige el más grande, que ninguna de las otras quieres por su supuesta ubicación indeseable y su mal estado. Se le ocurre la hermosa idea de convertirlo en un lugar para enterrar las historias que no ha compartido: manuscritos, páginas, borradores, revisiones, personajes y vidas sobre las que había trabajado, incluso por años, pero que nunca consiguió terminar. Ahora desea dejarlas descansar en paz. Alma necesita ayuda con su plan, de modo que Brava, una amiga artista que ?lo capta? (a diferencia de sus hermanas), se le une. El cementerio se convierte en un jardín de esculturas: las lápidas que Brava diseña para cada trama. Filomena, una mujer de la localidad y una de las pocas que gana acceso al cementerio contando sus propios relatos al intercomunicador que abre el portón, se convierte en la celadora, y tanto su historia como la su hermana Perla se vuelven centrales en la narración. Esta es una novela en la que las distintas historias desarrollan tentáculos que se entrelazan con los de otras, se insinúan de manera mutua y crean nuevas historias en el proceso. Las circunstancias de la propia vida de Filomena la convierten en la comprensiva escucha que las historias de Alma siguen necesitando mientras prolongan su inmutable deseo de ser contadas, encontrar un sentido y tener un final. A wonderfully inventive novel about telling stories and what happens to the stories we leave untold, from the beloved and bestselling author of In the Time of the Butterflies and How the García Girls Lost Their Accents.Untold is the story of a writer as she reaches the end of her career and her life. Alma Cruz doesn't want to end up like a fellow author and mentor whose cautionary tale she tells, one who fought so long and hard with a novel she couldn't complete that it threatened her sanity. After the death of Alma's elderly parents, she and her sisters each inherit small plots of land in the Dominican Republic. Alma chooses the biggest one, which none of the others want because of its supposedly undesirable location and its state of dishevelment. She has the beautiful idea of turning it into a place to bury her untold stories, the manuscripts and pages, drafts, revisions?the characters and lives she worked on, sometimes for years, but could never get quite right. To let them rest in peace. Alma needs help with her plan, so Brava, an artist friend who "gets it" (unlike Alma's perplexed sisters), jumps on board?the cemetery becomes a sculpture garden, Brava's work the custom markers for each plot. Filomena, a local and one of the few who gains entry to the cemetery by telling her own stories to an intercom that opens the gate, is soon the caretaker, and her story and the story of her sister Perla become central to the narrative. This is a novel in which stories develop tentacles that entwine other stories, insinuating themselves one to the other, and making new stories in the process.

Renowned Latina author Julia Alvarez recreates the legend of the Dominican folk character La Vieja Belen in this delighful bilingual rhyming story, beautifully illustrated by Dominican artist Ruddy Nunez. Alvarez's retelling keeps the magic of the traditional account while contributing a down-to-earth, timely moral: "Of all the gifts you can give, your time is the best."

Bienvenidos al bed & breakfast de tía Lola! Con la ayuda de sus sobrinos y de las tres hermanas Espada, tía Lola abrirá las puertas de la majestuosa casa Antigua del coronel Charlebois a visitants de todas las procedencias. Pero pronto se darán cuenta de que poner a funcionar este pequeño hotel no resulta tan fácil como pensaron en un principio. ¡Y menos cuando todo parece indicar que hay alguien que ententa sabotear sus proyectos! ¿Podrián tía Lola y los niños descubrir quien está detrás del plan para que el bed & breakfast fracase? ¿Logrará la familia y amigos de tía Lola organizarle una fiesta sorpresa de cumpleaños en la propia casa del coronel sin que ella sospeche nada?

Welcome to Tía Lola's bed and breakfast! With the help of her niece and nephew and the three Sword Sisters, Tía Lola is opening the doors of Colonel Charlebois' grand old Vermont house to visitors from all over. But Tía Lola and the children soon realize that running a B & B isn't as easy they had initially thought-especially when it appears that someone is out to sabotage them! Will Tía Lola and the kids discover who's behind the plot to make their B & B fail? And will Tía Lola's family and friends be able to plan her a surprise birthday party in her own B & B without her finding out?With the release of this Yearling edition, all four Tía Lola Stories are now available in paperback.

"Yolanda Garcâia--Yo, for short--is the literary one in the family. Her first published novel, in which uses as characters practically everyone she knows, was a big success. Now she's basking in the spotlight while those "characters" find their very recognizable selves dangling in that same blinding light. But turnabout is fair play, and so here, Yolanda Garcâia's family and friends tell the truth about Yo"--

"Una profesora de literatura intenta redescubrir quiâen es despuâes de la repentina muerte de su marido, incluso cuando una serie de sacudidas familiares y polâiticas la obligan a preguntarse quâe debemos a los que estâan en crisis en nuestra familia, biolâogicos o de otro tipo."--Provided by publisher.

Set during the waning days of the Trujillo dictatorship in the Dominican Republica in 1960, this extraordinary novel tells the story the Mirabal sisters, three young wives and mothers who are assassinated after visiting their jailed husbands.

The works of this award-winning poet and novelist are rich with the language and influences of two cultures: those of the Dominican Republic of her childhood and the America of her youth and adulthood. They have shaped her writing just as they have shaped her life. In these seventy-five autobiographical poems, Alvarez's clear voice sings out in every line. Here, in the middle of her life, she looks back as a way of understanding and celebrating the woman she has become.

In the early 1960s in the Dominican Republic, twelve-year-old Anita learns that her family is involved in the underground movement to end the bloody rule of the dictator General Trujillo.

A Time Magazine Must-Read Book of 2020 A Most-Anticipated Book of the Year: O, The Oprah Magazine * The New York Times * The Washington Post *Vogue * Bustle * BuzzFeed * Ms. magazine * The Millions * Huffington Post * PopSugar * The Lily * Goodreads * Library Journal * LitHub * Electric Literature The first adult novel in almost fifteen years by the internationally bestselling author of In the Time of the Butterflies and How the García Girls Lost Their Accents “A stunning work of art that reminds readers Alvarez is, and always has been, in a class of her own.” —Elizabeth Acevedo, National Book Award-winning author of the New York Times bestseller The Poet X Antonia Vega, the immigrant writer at the center of Afterlife, has had the rug pulled out from under her. She has just retired from the college where she taught English when her beloved husband, Sam, suddenly dies. And then more jolts: her bighearted but unstable sister disappears, and Antonia returns home one evening to find a pregnant, undocumented teenager on her doorstep. Antonia has always sought direction in the literature she loves—lines from her favorite authors play in her head like a soundtrack—but now she finds that the world demands more of her than words.Afterlife is a compact, nimble, and sharply droll novel. Set in this political moment of tribalism and distrust, it asks: What do we owe those in crisis in our families, including—maybe especially—members of our human family? How do we live in a broken world without losing faith in one another or ourselves? And how do we stay true to those glorious souls we have lost?

An award-winning, moving, and timely story about the families of undocumented workers by renowned author Julia Alvarez. After Tyler's father is injured in a tractor accident, his family is forced to hire migrant Mexican workers to help save their Vermont farm from foreclosure. Tyler isn't sure what to make of these workers. Are they undocumented? And what about the three daughters, particularly Mari, the oldest, who is proud of her Mexican heritage but also increasingly connected to her American life. Her family lives in constant fear of being discovered by the authorities and sent back to the poverty they left behind in Mexico. Can Tyler and Mari find a way to be friends despite their differences? In a novel full of hope, but with no easy answers, Julia Alvarez weaves a beautiful and timely story that will stay with readers long after they finish it. Winner of the Pura Belpré Award Winner of the Américas AwardAn NCSS-CBC Notable Children's Trade Book in the Field of Social Studies "A must-read." -Kirkus Reviews "Communicates in compassionate and expressive prose the more difficult points of perhaps the most pressing social issue of our day." -San Antonio Express-News "This timely novel, torn right from the newspaper headlines, conveys a positive message of cooperation and understanding." -School Library Journal "The plot is purposive, with messages about the historical connections between migrant workers today and the Indians' displacement, the Underground Railroad, and earlier immigrants seeking refuge. . . . The questions raised about the meaning of patriotism will spark debate." -Booklist "A tender, well-constructed book." -Publishers Weekly