Bøger af Juliet Kinchin

In 1900, Swedish design reformer and social theorist Ellen Key published The Century of the Child, presaging the coming century as a period of intensified focus and progressive thinking around the rights, development, and wellbeing of children. Taking inspiration from Key - and looking back through the twentieth century - this volume, published to accompany an exhibition at The Museum of Modern Art, examines individual and collective visions for the material world of children, from utopian dreams for the 'citizens of the future' to the dark realities of political conflict and exploitation. Surveying more than one hundred years of school architecture, clothing, toys, children's hospitals, nurseries, furniture, posters, animation and books, this richly illustrated catalogue illuminates how progressive design has enhanced the physical, intellectual and emotional development of children and, conversely, how models of children's play have informed experimental aesthetics and imaginative design thinking - engendering, in the process, reappraisals of some of the iconic names in twentieth-century design and enriching the unfolding narrative of modern design with other, less familiar figures.

This latest volume in the MoMA One on One series focuses on Frank Lloyd Wright¿s Broadacre City Project (1934¿1935). Frank Lloyd Wright¿s proposal for Broadacre City (1929¿35) put forth a remarkable claim¿that the metropolis was obsolete. In its place, Broadacre was to be a ¿Usonian¿ synthesis, an unprecedented landscape unsullied by convention or history, consisting simply of ¿architecture and acreage.¿ With its low-density carpet of small plots, predominantly one- and two-story buildings, and seemingly infinite territory, the ruralized landscape of Broadacre would sustain new levels of individuality and freedom, far more democratic than a traditional metropolis could ever support. Yet the 4-square-mile (10.4-squarekilometer) area of the Broadacre City model would give home to only 1,400 families, making the population density not quite urban or rural or suburban, but somehow their hybrid, with a social and spatial structure that eludes clear definition.

Examines the 20th-century transformation of the kitchen through the collection of The Museum of Modern Art, featuring a wide variety of design objects, architectural plans, posters, archival photographs and artworks ranging from the iconic Frankfurt Kitchen, massproduced for German public housing estates in the aftermath ofWorldWar I.