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Introducing the neglected tradition of Scottish women's writing to readers who may already be familiar with English Victorian realism or the historical romances of Walter Scott and Robert Louis Stevenson, this book corrects male-dominated histories of the Scottish novel by demonstrating how women appropriated the masculine genre of romance.
This book examines the literary negotiation of Anglo-Scottish relations in the century following the 1707 Union between Scotland's and England's parliaments.
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