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Twelve years of terror end with a world in flames. Behind filmmaker Leni Riefenstahl's stirring footage of a million joyous patriots, the horror of Nazi Germany slowly unfolds. It engulfs Katja Sommer, a "good German" with dangerous desires; Frederica Brandt, a traitor to her homeland; Rudi Lamm, a homosexual camp survivor and forced soldier for Hitler; and Peter Arnhelm, a half-Jewish smuggler on the run. Under the scrutiny of the familiar monsters of the Third Reich, their enablers, and their hangers-on, these four struggle for life and for each other. Love does not conquer all, but it's far better than going to hell alone.
Lesbian adventure romance. In the course of fleeing from and outwitting the forces of violent fundamentalism, Valerie, a westerner, and Najya Khoury, an Arab-Israeli, fall in love and and find out just how dangerous it is to challenge accepted truth.
In Norway under Nazi occupation, Marrit, an Indigenous woman; and Kirsten, a Norwegian resister, join forces to stop the development of an atomic weapon.
It is 1944, and vast armies drive each other back and forth over blood-drenched Europe. In the midst of it, two radically different women meet, one a Russian speaking American on a failed diplomatic mission and the other a Soviet sniper. The American, fleeing a sordid past worthy of Dostoyevsky, has murder in her heart but has injured no man. The other, a once-saintly believer, has killed a hundred of them for Stalin. Their politics are worlds apart, but a reckless drunken kiss has tied them together, through church and trench, incense and the smoke of battle. If they survive the war, can they survive the peace?
What if Sodom and Gomorrah, those synonyms for debauchery, were in fact perfect societies? What if the avenging angels were genocidal terrorists, and the "one righteous man" who escaped the annihilation was a murderous fanatic and the rapist of his own daughters? Justice is a long time coming, but finally the serene waters of the Red Sea give up the secret of a millennia-old lie. While surrendering to biblical wantonness with a film actress, sculptor Joanna Boleyn, discovers that righteousness can conceal its own depravity, that art tells more truth than scripture, and that challenging authority can be mortally dangerous.
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