Bøger af Kamau Brathwaite

Ancestors startlingly reinvents one of the most important long poems of our hemisphere. Here in a single volume is Kamau Brathwaite's long unavailable, landmark trilogy--Mother Poem, Sun Poem, and X/Self (1977, 1982, and 1987)--now completely revised and expanded by the author. With its "Video Sycorax" typographic inventions and linguistic play, Ancestors liberates both the language and the new-Caliban vision of the poet. In its fresh and more experimental form the trilogy embodies the recapture (what the poet has called the "intercovery") of Brathwaite's African/Caribbean ancestry as a possession of power and renewal, even as it plumbs the deep tonalities of enslavement, oppression, and colonial dispossession.

Kamau Brathwaite, who won the 1994 Neustadt International Prize for Literature, has revised his celebrated 1979 Casa de las Americas collection, Black + Blues, for its first edition by a U.S. publisher. A rich, arid, beautiful collection, Black + Blues is cast in three parts - "Fragments," "Drought," and "Flowers." In Brathwaite's voice, as The Beloit Poetry Journal noted, "the false distinctions between poetry and polemic, between tragic vision and comic insight, between anger and tenderness, here disappear. At last a major poet of our troubled history and troubling time is available to readers in this country." "His dazzling, inventive language, his tragic yet unquenchable vision," as Adrienne Rich declared, "make Kamau Brathwaite one of the most compelling of late 20th century poets."

Kamau Brathwaite's poetry offers stunning collages devoted to the history, mythology, and language of the African diaspora, and has gained him a world reputation. Middle Passages, his most recent collection, is his sixteenth poetry volume, but his first with an American publisher. With notes of protest and lament, the fourteen poems of Middle Passages address the effects of the Middle Passage of slavery on the New World, and celebrate great musicians (Ellington, Bessie Smith), poets, heroes of the resistance, and Third World leaders Kwame Nkrumah, Walter Rodney, and Nelson Mandela. And as the London Times Literary Supplement noted, it is "a poetry that moves between rage and tenderness, doubt and displacement to affirmation... Middle Passages is a potent and effective book, a work of passion and integrity."

New work by the co-founder of the Caribbean Artists Movement.

In its title, Strange Fruit refers to the song of a lynching made famous by Billie Holiday and to the malign persecution that drove Kamau Brathwaite from his New York home to resettlement in his native Barbados. But the title also points to the enigma of beauty created out of that experience of cultural lynching, in poems of urgency, elegance, wisdom and brave humour. Strange Fruit charts a movement from the pain of poems "written along the v/edge & coast of death and carrefour", the despair of sensed erasure and abandonment, of dwindled voice, to a moment of revelation of a living ancestral presence. On the way, what you hear is Brathwaite's distinctive Barbadian nation-voice, his alter-native vision, his creolisms of sound and graphic display, in dialogue with presences of many kinds: icons of survival and resistance such as Louis Armstrong, "teef of sorrow", Bedward, Mandela, Ogou with his prompting to resolve and the visiting sparrows who are "messengers of soul". The urgency comes in the dialogue between a sense of frailty ("the last green slanting curve/ of wind and final bell") and the urge to recreate the world against the loss of memory, the recognition that "o yes we leave - and soon//but what happens to the turn/of spirits left on their wheel & verge/of final shape. the soft concentric runnels of our labour?" The wisdom comes out of the struggle between acknowledging the pain of loss, the fear that the world is becoming a worse, not better place, and the satisfactions to be found in knowing one has resisted. It is a collection full of beauties of form, phrase and sound, such as in the poem "Sleep Widow" where instead of finding comfort, the poet and loved woman "bull-fight like lock-horm logga-head until the evening pools the grief along our edges/ and cools us to this peace", the very sounds in the poem fighting their way towards resolution. This text is performed in the author's SVS-sycorax video style.

Words Need Love Too represents both a summation - a drawing together of concerns that the poet has explored in his writings through the previous 'years of salt' - and a turning point, a hopeful new beginning.