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The Rock of Jerusalem is one of the world's most spiritually resonant and politically contentious sites: where Adam first stepped upon leaving Paradise, Abraham attempted to sacrifice Isaac, Jesus preached, and Muhammad began his night journey to heaven,. Sorting through the rubble of the three competing faiths, Kanan Makiya has woven a vivid tapestry from centuries of legend and belief to imagine the origins of Islam's first monument, the Dome of the Rock. A narrative of mythic power, The Rock offers a grand tour of seventh-century Jerusalem and-by reminding us of how much Jews and Muslims once shared-serves as a bracing talisman for our times.
This text is a study of the interplay between art and politics - of how culture, normally an unquestioned good, can play into the hands of power with devastating effects. Kanan Makiya uses the culture invented by Saddam Hussein as a window into the nature of totalitarianism.
Examining Iraqi history in a search for clues to understanding contemporary political affairs, this title illustrates how the quality of Ba'thi pan-Arabism as an ideology, the centrality of the first experience of pan-Arabism in Iraq, and the interaction between the Ba'th and communist parties in Iraq from 1958 to 1968.
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