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"It is a pleasure to see a scholarly anthology dedicated to the legendary Self Help Graphics & Art printmaking workshop. Highlighting the individuals, neighborhoods, and institutions who kept it thriving for decades, this thoroughly researched social history of art offers readers a refreshing view of art-centered community making, emphasizing cross-cultural, feminist, and queer perspectives."--Jennifer A. Gonzalez, coeditor of Chicano and Chicana Art: A Critical Anthology "An amazing collection of insightful essays on the critical role played by Self Help Graphics & Art over its fifty-year history in creating and nurturing an artistic community in East Los Angeles. By explaining the origins; networks of support; reach of art education; feminist, queer, and Central American collaborations; and reach of its art around the world, the editors have established the centrality of this institution of creativity and experimentation."--George J. Sánchez, author of Boyle Heights: How a Los Angeles Neighborhood Became the Future of American Democracy
The Mexican Museum of San Francisco was founded in 1975 by artist Peter Rodriguez to "foster the exhibition, conservation, and dissemination of Mexican and Chicano art and culture for all peoples." Its holdings include some 14,000 objects with a historical range extending from pre-conquest Mexico to contemporary Mexican American and Latino communities in the United States.The Chicano Studies Research Center¿s collection includes a broad selection of the museum's administrative papers and related materials. Karen Mary Davalos draws on these documents to trace the origins of the museum and explore how its mission has been shaped by its visionary artist-founder, local art collectors and patrons, Mexican art and culture, and the Chicano movement. A detailed finding aid and a selected bibliography complete the volume.
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