Bøger af Kashmira Sheth

" In the midst of adjusting to a new class, eighth-grader Anoop finds his patka drawing unwarranted attention, leading him to contemplate faith, identity, and his role in the world, especially as his grandfather approaches the end of life in India and attacks on American Sikhs intensify"--

An Indian boy and his grandfather enjoy a rainy day during monsoon season.It is monsoon season in India. Outside, dark clouds roll in and the rain starts to fall. As animals scatter to find cover, a young boy and his dadaji (grandfather) head out into the rainy weather.The two sail paper boats. They watch the peacocks dance in the rain, just as the colorful birds did when Dadaji was a boy. They pick mangoes and Dadaji lifts up his grandson so he can swing on the roots of the banyan tree, just as Dadaji did when he was young. Finally, when the two return home, hot tea and a loving family are waiting.Author Kashmira Sheth's affectionate, sensitive story provides a look into Indian life and the shared moments and memories that bind generations together. Illustrator Yoshiko Jaeggi's colorful and fanciful watercolor artwork recreates the lush Indian landscape during monsoon season and captures the bond of love that unites a grandfather and his grandson.

For eleven-year-old Gopal and his family, life in their rural Indian village is over: We stay, we starve, his baba has warned. With the darkness of night as cover, they flee to the big city of Mumbai in hopes of finding work and a brighter future. Gopal is eager to help support his struggling family until school starts, so when a stranger approaches him with the promise of a factory job, he jumps at the offer.But Gopal has been deceived. There is no factory, just a small, stuffy sweatshop where he and five other boys are forced to make beaded frames for no money and little food. The boys are forbidden to talk or even to call one another by their real names. In this atmosphere of distrust and isolation, locked in a rundown building in an unknown part of the city, Gopal despairs of ever seeing his family again.But late one night, when Gopal decides to share kahanis, or stories, he realizes that storytelling might be the boys' key to holding on to their sense of self and their hope for any kind of future. If he can make them feel more like brothers than enemies, their lives will be more bearable in the shop?and they might even find a way to escape.

Ba slipped the gold bangles from my wrists. The gold ones were plain so I didn't mind taking them off, but I loved wearing my milk-glass bangles and the lakkh bracelets. "A widow can't wear bangles," she said. "They are signs of a woman's good fortune. When your husband dies it's over.""What if my good fortune comes back?""It doesn't."Pretty as a peacock, twelve-year-old Leela had been spoiled all her life. She doesn't care for school and barely marks the growing unrest between the British colonists and her own countrymen. Why should she? Her future has been planned since her engagement at two and marriage at nine.Leela's whole life changes, though, when her husband dies. She's now expected to behave like a proper widow: shaving her head and trading her jewel-toned saris for rough, earth-colored ones. Leela is considered unlucky now, and will have to stay confined to her house for a year-keep corner-in preparation for a life of mourning for a boy she barely knew. When her schoolteacher hears of her fate, she offers Leela lessons at home. For the first time, despite her confinement, Leela opens her eyes to the changing world around her. India is suffering from a severe drought, and farmers are unable to pay taxes to the British. She learns about a new leader of the people, a man named Gandhi, who starts a political movement and practices satyagraha-non-violent protest against the colonists as well as the caste system. The quiet strength ofsatyagraha may liberate her country. Could she use the same path to liberate herself?

Experience the magic of an Indian wedding in this story of a girl playing a fun, traditional game on her sister's wedding day.Sona's big sister is getting married and she's been given an important job to do. She has to steal the groom's shoes. She's never attended a wedding before, so she's unfamiliar with this Indian tradition―as well as many of the other magical experiences that will occur before and during the special event. But with the assistance of her annoying cousin Vishal, Sona finds a way to steal the shoes and get a very special reward.With amusing text and gorgeous, vibrant watercolors, author Kashmira Sheth and illustrator Yoshiko Jaeggi present a heartwarming story ripe with themes of family, ritual, and tradition.

An Indian grandmother and her American granddaughter explore culture, imagination, and individuality through a collection of saris.Every day, Rupa's grandmother wears a beautiful Indian sari. Each is brightly colored and very pretty. "Don't you ever want to wear a gray skirt and red blouse with round buttons like Mommy or a green dress like me?" Rupa asks. But Dadima prefers to wear her traditional saris.Dadima shares all the wonderful things that saris can do—from becoming an umbrella in a rainstorm to providing a deep pouch to carry seashells. Soon Rupa's own imagination is sparked as she envisions saris protecting her in the scary Gir Jungle, bandaging up an injured knee, and holding a special secret for her and Dadima to share.Kashmira Sheth provides a warm, unique peek into Indian culture in this sensitive portrait of a grandmother and her American granddaughter. Hindi words defined and sprinkled throughout the text further add to the story's authenticity. Yoshiko Jaeggi's sweeping, colorful, and fanciful watercolor illustrations capture the extraordinary bond of love that unites families across generations and cultures. A note from the author and instructions for wrapping a sari are included.

Trapped. For eleven-year-old Gopal and his family, life in their rural Indian village is over: We stay, we starve, his baba has warned.