Bøger af Kathleen Jamie

"e;A sorceress of the essay form."e; John Berger Five years after Findings broke the mould of nature writing, Kathleen Jamie subtly shifts our focus on landscape and the living world, daring us to look again at the 'natural', the remote and the human-made. She offers us the closest of perspectives and the most distant, too: from vistas of cells beneath a hospital microscope, or the pores of a whale's jawbone under restoration, to satellites rising over a Scottish island, or the aurora borealis lighting up an iceberg-strewn sea. We encounter killer whales circling below cliffs, noisy colonies of breeding gannets, and paintings deep in caves. Written with precision, delicacy and personal recollection, Sightlines invites us to pause and look afresh at our surroundings.

A sensational collection of bilingual poems from the National Poet of Scotland.

Innovative non-fiction by one of the pioneers of new nature writing

When ten Pakistani men walk into Kathleen Jamie's small Scottish town on a peace march, in November 2001, she is thrown back to her own travels in Northern Pakistan and a book she wrote a decade earlier. Among Muslims is the account of Jamie's time travelling alone and living among the Shia and Ismaili Muslims in the Northern Areas - the mountainous regions wedged between Afghanistan, India and China and one of the most volatile borderlands in the world. A bold, sympathetic and superbly written book, Among Muslims delves into Jamie's own Scottish upbringing to find links with the purdah-observing lifestyle of her Shia Muslim hosts. It is a privileged account from an acclaimed poet, who during her travels was often literally the only woman on the bus. Among Muslims was originally published as The Golden Peak. For this edition, Kathleen Jamie returned to Pakistan to write an Afterword and Preface.

A timely career retrospective including material from Kathleen Jamie's earlier collections and featuring writing on her recurrent themes of nature, language, and human and animal consciousness.

In Who Built Scotland, the authors pick twenty-five buildings to tell the history of a nation. In vivid travelogues, they explore Scotland's social, political and cultural heritage, placing our people, ideas and passions at the heart of our architecture and archaeology. This is a story of how we shape buildings and how buildings, in turn, shape us.

Other Ways to Leave the Room features the work of three of the most beloved and lauded poets currently at large. Between them, Kathleen Jamie, Don Paterson and Nick Laird write lyrical, luminous and often darkly witty poems about the rugged wildness of the Scottish landscape; about fatherhood; about whisky-drinking, alcohol abuse and tenement life; about sex, love and the pursuit of the spiritual; about childhood in the Ireland of the Troubles, and about the strange possibilities of the technological future. What all three have in common is an ability to combine observations of gritty real life with a sense of the mythical proportions always lurking just under the surface of the everyday.The Penguin Modern Poets are succinct guides to the richness and diversity of contemporary poetry. Every volume brings together representative selections from the work of three poets now writing, allowing the curious reader and the seasoned lover of poetry to encounter the most exciting voices of our moment.

Between the laundry and the fetching kids from school, that's how birds enter my life. I listen. During a lull in the traffic: oyster-catchers; in the school-playground, sparrows. lt's surprising what you can find by simply stepping out to look. Award-winning poet Kathleen Jamie has an eye and an ease with the nature and landscapes of Scotland as well as an incisive sense of our domestic realities. In Findings she draws together these themes to describe travels like no other contemporary writer.Whether she is following the call of a peregrine in the hills above her home in Fife, sailing into a dark winter solstice on the Orkney islands, or pacing around the carcass of a whale on a rain-swept Hebridean beach, she creates a subtle and modern narrative, peculiarly alive to her connections and surroundings.

In her extraordinary collection, Kathleen Jamie examines her native Scotland - a country at once wild and contained, rural and urban - and her place within it. In the author's own words: '2014 was a year of tremendous energy in my native Scotland, and knowing I wanted to embrace that energy and participate in my own way, I resolved to write a poem a week, and follow the cycle of the year.' The poems also venture into childhood and family memory - and look to ahead to the future. The Bonniest Companie is a visionary response to a year shaped and charged by both local and global forces, and will stand as a remarkable document of our times.

The Overhaul is Kathleen Jamie's first collection since the award-winning The Tree House, and it broadens her poetic range considerably. The Overhaul continues Jamie's lyric enquiry into the aspects of the world our rushing lives elide, and even threaten. Whether she is addressing birds or rivers, or the need to accept loss, or sometimes, the desire to escape our own lives, her work is earthy and rigorous, her language at once elemental and tender. As an essayist, she has frequently queried our human presence in the world with the question 'How are we to live?' Here, this is answered more personally than ever. The Overhaul is a mid-life book of repair, restitution, and ultimately hope - of the wisest and most worldly kind.

For several years now, Kathleen Jamie's work has addressed two principal concerns: how we negotiate with the natural world, and how we should define our conduct within family and society. In The Tree House Jamie argues - as Burns did before her - for an engagement of the whole being through a kind of practical earthly spirituality. These often startling encounters with animals, birds, and other humans propose a way of living which recognises the earth as home to many different consciousnesses -- and a means of authentic engagement with 'this, the only world'. Together they form one of the most powerful poetic statements of recent years.

Jamie's poetry is intelligent and subtle, her language inventive and refreshing. This is a wide-ranging selection. It reveals the generous range of her concerns, from life in the wilder parts of Pakistan and Tibet, to the difficult questions of identity posed in the celebrated Queen of Sheba.