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When Hollywood comes to small-town Connecticut, it should be the stuff of dreams-but when a fading movie star ends up dead, a whole different kind of stuff hits the fan. Unity Historical Society head and antique household items-stuff!-expert Christian Shaw is on set when actor Brett Studebaker falls from the pulpit during a streaming service shoot in an old church. She, the "dads she should have had," Garrett and Ed, her son Henry, who has a photographic memory and Type-1 Diabetes, and her colorful friends end up helping Assistant State's Attorney Joe Poli track the killer. Along for the ride: her giant tuxedo cat, Cookie, Ed and Garrett's big red mutt, Norm, and Joe's tiny dog, Cannoli. Woodworking, embroidery, old poisons, and vintage weapons all figure in the case, which comes together in a wild scene at the Historical Society on Fourth-Grade Field Trip Day.
Kathleen Marple Kalb debuts with the first book in a new historical mystery series set in Gilded Age New York and following the adventures of swashbuckling opera singer Ella Shane, an Irish-Jewish Lower East Side orphan who finds fame and fortune singing male "trouser roles."On the cusp of the twentieth century, Manhattan is a lively metropolis buzzing with talent. But after a young soprano meets an untimely end on stage, can one go-getting leading lady hit the right notes in a case of murder?New York City, 1899. When it comes to show business, Gilded Age opera singer Ella Shane wears the pants. The unconventional diva breaks the mold by assuming "trouser roles"--male characters played by women--and captivating audiences far and wide with her travelling theatre company. But Ella's flair for the dramatic takes a terrifying turn when an overacting Juliet to her Romeo drinks real poison during the final act of Bellini's I Capuleti e i Montecchi.Weeks after the woman's death is ruled a tragic accident, a mysterious English duke arrives in Greenwich Village on a mission. He's certain someone is getting away with murder, and the refined aristocrat won't travel back across the Atlantic until Ella helps him expose the truth.As Ella finds herself caught between her craft and a growing infatuation with her dashing new acquaintance, she's determined todecode the dark secrets surrounding her co-star's fatale finale--before the lights go dark and the culprit appears for an encore...
During the first winter of the twentieth century, Gilded Age trouser diva Ella Shane refuses to dim the lights on her dazzling show business career for marriage-even to a dashing British duke. But the versatile mezzo-soprano may have to put it all on the line once murder takes centerstage... New York City, 1900. Renowned opera singer and theatre company owner Ella may have both much to gain and much to lose by getting engaged to her courtly long-distance love, Gil Saint Auburn. But there's little time for romance or resolutions with Gil's aristocratic mother and aunts visiting Greenwich Village-especially when the ladies discover a dead man in the bathtub of their hotel suite. The victim's disturbing background and subsequent demise at the elegant Waverly Place Hotel leave the group puzzled beyond the obvious certainty of an unnatural death. Adding to the confusion and mounting fear, danger explodes through Ella's close-knit circle after a friend makes a stunning confession and Gil becomes a fresh target for violence. Now, with a London tour run fast approaching, prenuptial worries weighing heavily on her heart, and an intricate Joan of Arc aria to rehearse, can Ella decide what she's willing to sacrifice before confronting a relentless criminal bent on watching her entire life go up in smoke?
On the cusp of the twentieth century, Manhattan is a lively metropolis buzzing with talent. But after a young soprano meets an untimely end on stage, can one go-getting leading lady hit the right notes in a case of murder? New York City, 1899. When it comes to show business, Gilded Age opera singer Ella Shane wears the pants. The unconventional diva breaks the mold by assuming "trouser roles"-male characters played by women-and captivating audiences far and wide with her travelling theatre company. But Ella's flair for the dramatic takes a terrifying turn when an overacting Juliet to her Romeo drinks real poison during the final act of Bellini's I Capuleti e i Montecchi. Weeks after the woman's death is ruled a tragic accident, a mysterious English duke arrives in Greenwich Village on a mission. He's certain someone is getting away with murder, and the refined aristocrat won't travel back across the Atlantic until Ella helps him expose the truth. As Ella finds herself caught between her craft and a growing infatuation with her dashing new acquaintance, she's determined to decode the dark secrets surrounding her co-star's fatale finale-before the lights go dark and the culprit appears for an encore . . .
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