Bøger af Kathleen Stewart

Presents an argument for attention to various dimensions of everyday life and the potential that animates the ordinary. This book shows how ordinary impacts create the subject as a capacity to affect and be affected. It relates the intensities and banalities of common experiences and encounters, and the lingering resonance of passing events.

The Hundreds-composed of pieces one hundred or multiples of one hundred words long-is Lauren Berlant and Kathleen Stewart's collaborative experimental writing project in which they strive toward sensing and capturing the resonances that operate at the ordinary level of everyday experience.

How does a woman who had a "normal" middle-class upbringing in a Catholic home end up incarcerated twice and admitted into the psychiatric ward of the hospital for observation? Where did things turn and how did she fight to re-gain her life? Follow her journey through her relationships, including the most tumultuous, controlling, abusive one, that shaped her into the warrior-God following-advocate she is striving to be today.

This book constitutes the refereed proceedings of the 8th International Conference on Geographic Information Science, GIScience 2014, held in Vienna, Austria in September 2014. The 23 full papers presented were carefully reviewed and selected from various submissions. The papers are organized in topical sections such as information visualization, spatial analysis, user-generated content, semantic models, wayfinding and navigation, spatial algorithms, and spatial relations.

A Space on the Side of the Road vividly evokes an "e;other"e; America that survives precariously among the ruins of the West Virginia coal camps and "e;hollers."e; To Kathleen Stewart, this particular "e;other"e; exists as an excluded subtext to the American narrative of capitalism, modernization, materialism, and democracy. In towns like Amigo, Red Jacket, Helen, Odd, Viper, Decoy, and Twilight, men and women "e;just settin'"e; track a dense social imaginary through stories of traumas, apparitions, encounters, and eccentricities. Stewart explores how this rhythmic, dramatic, and complicated storytelling imbues everyday life in the hills and forms a cultural poetics. Alternating her own ruminations on language, culture, and politics with continuous accounts of "e;just talk,"e; Stewart propels us into the intensity of this nervous, surreal "e;space on the side of the road."e; It is a space that gives us a glimpse into a breach in American society itself, where graveyards of junked cars and piles of other trashed objects endure along with the memories that haunt those who have been left behind by "e;progress."e; Like James Agee's portrayal of the poverty-stricken tenant farmers of the Depression South in Let Us Now Praise Famous Men, this book uses both language and photographs to help readers encounter a fragmented and betrayed community, one "e;occupied"e; by schoolteachers, doctors, social workers, and other professionals representing an "e;official"e; America. Holding at bay any attempts at definitive, social scientific analysis, Stewart has concocted a new sort of ethnographic writing that conveys the immediacy, density, texture, and materiality of the coal camps. A Space on the Side of the Road finally bridges the gap between anthropology and cultural studies and provides us with a brilliant and challenging experiment in thinking and writing about "e;America."e;