Gør som tusindvis af andre bogelskere
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Since 2007 Khalid Al Thani has dedicated his vision to the Qatari desert, taking tens of thousands of photographs (and counting). Photography is his medium and yet the effects he teases from his subjects are decidedly painterly-tone, texture and suggestion prevail over any documentary perfection of line or form. By faithfully returning to the same motifs (among them the Sidra tree, the oryx, the horse), his approach furthermore likens that of certain great painters (Cézanne with Mont Sainte-Victoire, Monet with his water lilies, Morandi with his bottles and jars spring to mind), who revisited the same beloved subjects to transcend their physicality and access a greater emotional truth. Malamh, meaning "details" or "features," comprises a volume of Al Thani's color work, and one black and white. The image sequence in each book begins with a sunrise, takes us through the changing moods of day, and ends with a starry night-a lyrical cycle which Al Thani reinvents each time he visits the desert.Sprachen: Englisch, Arabisch
No other photographer knows the Qatari desert quite so well as Khalid Al Thani. The movements of its sands, the patterns of light, the behavior of its camels, falcons and oryxes, the changes in its sparse vegetation throughout the seasons-all this and more he has patiently observed, and captured with his camera. Al Thani photographs exclusively in analogue, and for many years a Leica with 35mm black-and-white film has been his favorite tool. Now, he has turned to Polaroids, and this book publishes the results for the first time. Al Thani's interest is not only the subtle, painterly compositions and luminous color variations of the medium, but also its fascinating irregularities: the unpredictable streaks, blotches and distortions that make every print unique.Sprachen: Englisch, Arabisch
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