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Situated on the intersection of comparative literary criticism, political history and theory, and cultural analysis, Terror and Pity: Aleksandr Sumarokov and the Theater of Power in Elizabethan Russia offers an in-depth reading of early Russian tragedy as a political genre. Imported to Russia by Aleksandr Sumarokov around 1750, tragedy reenacted and shaped the symbolic economy and the often disturbing historical experience of "e;absolutist"e; autocracy. Addressing half-forgotten texts and events, this study engages with literary and cultural theory from Walter Benjamin to Foucault and "e;new historicism"e; in order to contribute to a broader discussion of early modern "e;poetics of culture."e;
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