Gør som tusindvis af andre bogelskere
Tilmeld dig nyhedsbrevet og få gode tilbud og inspiration til din næste læsning.
Ved tilmelding accepterer du vores persondatapolitik.Du kan altid afmelde dig igen.
The early promise of a free Internet is long gone. Now, rather than allowing us a meaningful relationship with a range of content of our choosing, algorithms have not only removed genuine choice but de-texturized the world around us: smoothed its edges, planed down friction, and flattened differences. So coffee shops from Brooklyn to Beijing are inflected with a similar, 'Instagrammable' aesthetic. Airbnb rentals are decked out for their swipability factor as much as for their comfort. Spotify builds playlists that echo a category, looping back to music we've already heard before so as not to disrupt the flow. Netflix doesn't just make suggestions based on viewing histories but it actively changes the thumbnails to increase the chances we click on it.As Filterworld masterfully shows, culture itself has become algorithmic: a set of principles, a data rule, a line of code. And we interact with it in ever more passive ways. The result is not isolated echo chambers or a filter bubbles, but an all-encompassing Filterworld of the title. Kyle Chayka deliciously deconstructs this Filterworld: it shows us how technology has led us to this place and its effects on society and the individual, as well as how we might be able to remove the filter to gain liberation.
The New Yorker staff writer and Filterworld author Kyle Chayka examines the deep roots-and untapped possibilities-of our newfound, all-consuming drive to reduce. "Less is more": Everywhere we hear the mantra. Marie Kondo and other decluttering gurus promise that shedding our stuff will solve our problems. We commit to cleanse diets and strive for inbox zero. Amid the frantic pace and distraction of everyday life, we covet silence-and airy, Instagrammable spaces in which to enjoy it. The popular term for this brand of upscale austerity, "minimalism," has mostly come to stand for things to buy and consume. But minimalism has richer, deeper, and altogether more valuable gifts to offer. New Yorker staff writer Kyle Chayka is one of our sharpest cultural critics. In The Longing for Less, he delves beneath the glossy surface of minimalist trends, seeking better ways to claim the time and space we crave. His search leads him to the philosophical and spiritual origins of minimalism, and to the stories of artists such as Agnes Martin and Donald Judd; composers such as John Cage and Julius Eastman; architects and designers; visionaries and misfits. As Chayka looks anew at their extraordinary lives and explores the places where they worked-from Manhattan lofts to the Texas high desert and the back alleys of Kyoto-he reminds us that what we most require is presence, not absence. The result is an elegant synthesis of our minimalist desires and our profound emotional needs.With a new afterword by the author.
"From New Yorker staff writer and author of The Longing for Less Kyle Chayka comes a ... history and investigation of a world ruled by algorithms, ... [networks] of mathematically determined choices that ramify into the development of city grids and music playlists alike. To have our tastes, behaviors, and emotions governed by computers, does nothing short of call the very notion of free will into question. Over the last decade, Kyle Chayka has studied the homogeneity of this curation of reality. ... Chayka ... examines how this deeply filtered aesthetic--spanning digital and physical spaces--creates an uncanny blend of work, home, and social life. As the algorithm determines our choices, other important questions arise: What happens when shareability supersedes messiness, innovation, and creativity--the very nature of being human? What does the notion of choice mean when the available options have been so carefully arranged for us?"--
Tilmeld dig nyhedsbrevet og få gode tilbud og inspiration til din næste læsning.
Ved tilmelding accepterer du vores persondatapolitik.