Bøger af Lawrence Friedman

Provides a practical and battle-tested approach for taking products, services, divisions, or even an entire company to market! Drawing on dozens of examples and best-practices across a variety of industries, this work lays out a blueprint for building a winning go-to-market plan.

Frank May is back and more hesitant than ever to get involved. But a mystery finds him anyway, too bizarre for him to ignore. Many people believe in life after death, but how many believe in murder after death? Or at least the revelation of a murder from a dead mother? Frank's rich client Morris Gross firmly believes he had an out-of-body experience and went to heaven, where he met his dead mother. She makes the startling statement that somebody killed her-that she didn't die a natural death as everyone assumed. Morris freely shares his story with a polite but skeptical Frank May. If that isn't strange enough, Morris soon joins his mother-thanks to the bullet from a murderer's pistol. Now Frank has to deal with the estate of a murder victim, who may have been killed by someone who also dispatched his late mother. He also has to deal with the sometimes greedy, and always eccentric, heirs to Morris's fortune. Led by the free-living nephew Sebastian, the family confounds Frank and tests his patience, all while he strives to uncover the truth about the mother's death . . . so he can solve the mystery of her son's murder. It may be just one loose thread too many for the lawyer-turned-reluctant-detective to spin together into a fabric that makes sense. Part of the series The Frank May Chronicles, new from QP Books.

Frank May practices law, but he gets by just doing the safe, bland kind-writing wills, forming partnerships, processing papers. Everything far from the seedy adventures of criminal law or detective work. But every lawyer knows: clients have a habit of taking you to places you don't want to be. One of those clients is the estate of the late Harriet Wingate. Harriet had money, and that always makes for interested relatives. But a bizarre husband Harriet's junior, by a half-century? Two squabbling nieces? The suddenly revealed grandson? Worst of all, a litter of soon-to-be rich cats? Frank did not even think she had a cat. Frank wrote Harriet's will, or so he thought. But more wills than he ever imagined keep popping up, including the notorious "cat will" and a torn, handwritten mystery will. Actually, they're all a mystery, just like Harriet's death. The wills and the relatives, if not the cats, drag Frank into the world he had so carefully avoided in his practice. Now to probate the estate and resolve the conflicting wills, he may have to unravel a mystery or two. And even a second unnatural death. To do all that, he will have to use his head-and step outside his comfort zone. A QP Mystery, in the series of the Frank May Chronicles.

Frank May practices law the safe, routine way: wills, trusts, business law, books, forms, and documents. At least that's the way he wants it.... But clients and life don't always oblige. Frank avoids murder cases like most people avoid the dentist. That's not so easy to do when a dead body shows up during his routine appointment for a teeth cleaning, and he is thrust into an investigation that bridges his law practice. He needs to get to the root of this death. That will take more than scraping the surface of a dental practice with deep secrets and suspicious characters - or the nearby, bizarre Xyloquex Corporation. If Frank May is up to the task, he seems to be the last to know it. A new QP Mystery, in the series The Frank May Chronicles. Other QP Books by Professor Friedman in the series include: Death of a One-Sided Man, The Book Club Murder, An Unnatural Death, and Death of a Wannabe.

Frank May hates trouble, as a lawyer and as a guy. But it likes him just fine. For someone who practices wills and trusts law because it lies far from the scene of murder and mayhem, he has a knack for being caught up in it anyway. Which is why he thought he was fortune's friend the night his wife stayed home from her book club meeting with a migraine. That very night the husband of the hostess was murdered. Frank hoped he could stay clear of this sordid affair. But that was not to be. The members of the club all came to believe that Frank and only Frank could solve the mystery. That was never his intention, but here too fate intervened. Despite himself, he became entangled in all the intrigues of the members. And in the end, he blundered his way to the dramatic secret that lay at the heart of the book club murder. A Frank May Mystery, from QP Books. The series also features more fiction by Lawrence Friedman, including An Unnatural Death and Death of a Wannabe. Bonus feature: An extensive preview of An Unnatural Death is included inside The Book Club Murder.

Frank May practices law, but not the glamorous kind. His bread and butter is the sedate sort-writing wills and handling estates. Or more to the point, handling heirs. Even so, where there's a will there's a death. Try as he might, Frank just can't avoid some of the more unsavory sides of human existence. And of heirs. There's more than one unsavory side to the family Mobius, and Frank has front row seats to watch the quirks and squabbles of the various Mobiuses, after two older family members die. One, at least, was murdered in his squalid San Francisco apartment, while sitting on a family fortune that appears to be left to a fringe foundation connected to the victim's bizarre neighbor. Did she kill the old miser, or was it one of the loving children? Or perhaps the old man's arrogant attorney ... or a pregnant woman who dropped in from Australia? Frank would prefer not to ask himself such unsettling questions-this is not the bland practice he signed up for. But the questions hold the key to unraveling the massive Mobius estate. And Frank is knee-deep in Mobius debris. A QP Mystery, in the series The Frank May Chronicles.

Frank May practices law, but he's getting by doing only the safe, bland kind - writing wills, forming partnerships, processing papers. Everything far from the seedy adventures of criminal law. But a dead body wakes you up and takes you to places you don't want to be. A late-night call from frantic client Barney, standing near the corpse of his wannabe-actress wife, drags Frank into the world he had so carefully avoided in his practice. And he is just about the only one who believes that Barney did not murder her. Even Barney's criminal defense attorney has trouble spinning a scenario in which Barney didn't do it. Facing his reluctant task with humor and introspection, Frank sets out to do what he can - and it does not seem like much - to figure out how maybe Barney did not kill his wife. Unraveling this mystery will not be about gory autopsy, AK47s, car chases, or thuggy ambushes in an alley; that just happens on TV shows or in novels written by ex-pathologists. There is no million-dollar Losteochorotograph to analyze blood splatter patterns. No sneaky courtroom magic tricks. Frank is actually going to have to use his head.

Lawyer Frank May is, as always, reluctant to get involved in murder cases. But when his young client, Margot, comes back from a vacation with her husband and finds the dead body of a woman in their house, Frank is drawn in despite himself. Who was this woman? And when another murder occurs - this time on the campus of Stanford University - you have to wonder: Are the two deaths connected? And does a quirky Hungarian violinist have something to do with the case? Baffling questions, to be sure. But in the end, Frank finds the surprising key that unlocks the mystery. Part of the series 'The Frank May Chronicles, ' new from renowned Stanford law professor Lawrence Friedman and QP Books.

Frank May practices law in San Mateo, California. Much of his practice deals with estate planning-wills, trusts, and related matters. So dead people are very much on his mind and the mind of his clients. But not, for the most part, unnatural deaths. Yet mysterious deaths, for some odd reason, seem to creep inevitably into his practice. A young woman, Ashley Savage, is Frank's newest client. Her birth father, whom she never met and who played no role in her upbringing, has suddenly entered her life-though very indirectly. He's created a trust for her, worth millions of dollars but whose origins are, to say the least, questionable. Dr. Langley Savage, Ashley's absentee father, had ministered for years to a wealthy old lady, Hortense Risley, who spent those last years in a hospital suite, all the time lavishing gifts on Dr. Savage. All this to the detriment of Hortense's four grandchildren, her closest relatives. Then Dr. Savage turns up dead-shot in a hotel room in Palo Alto. And one of the grandchildren, Bobby Risley, claims to have fallen in love with Ashley Savage ... sight unseen. As Ashley Savage's lawyer, Frank May is reluctantly drawn into the mystery that surrounds the death of Langley Savage-a mystery with many surprising twists and turns. A Frank May Mystery from Quid Pro Books: number 10 in the compelling series by Stanford law professor Lawrence M. Friedman.

Frank May is a private practice lawyer in San Mateo, California, and he doesn't want to get involved with an unidentified dead body in the park. So why is he involved with an unidentified dead body in the park? The man was found in a neighboring California town with no identification; all the police found was a scrap of paper in the corpse's pocket with Cynthia Greenhouse's address and phone number. This would be none of Frank's business ... if only Cynthia wasn't one of his clients. Here's where the questions start: Who is this dead man? Why does he have Cynthia's address? And why on earth does Cynthia have no idea of the man's identity? Reluctantly, Frank gets tangled up in the mess, and it soon becomes apparent that Cynthia and her family do have a link to the corpse. There's a connection between Cynthia's ex-husband and the dead guy: witnesses saw them speaking earlier the very day the man's body was found. What's the connection? Frank has to find out, but just as he prepares to question Cynthia's ex, the ex turns up dead, too! Frank knows there's something dirty about the Greenhouse family, but what? And will he find out before he ends up another cold corpse in a Palo Alto park? Part of the mystery series The Frank May Chronicles, from Quid Pro Books.

Frank May, the lawyer who's a reluctant detective, takes on the mystery of a house full of characters and and secrets. Frank's law office is in San Mateo, California, his practice often dealing with wills and estates. Dead clients are an essential part of an estates practice, but these are, for almost everybody, quite natural deaths. Yet somehow, through some quirk of fate, unnatural deaths seem to plague Frank's clients and those close to them. And he gets drawn into these mysterious affairs. Andrew Wright, a schemer if there ever was one, was not exactly a client. Andrew had befriended a woman well past her mental prime, living in a big house in Palo Alto. Andrew took over the house, renting out rooms to a mixed group of people. Then Andrew came to Frank with a hare-brained plan: to install cameras in the house and film an actual murder. Frank wants no part of it but agrees, in a weak moment, to meet Andrew about the plan. That night, Andrew is murdered in the house. Frank is, despite himself, entangled in the mysterious death of this schemer. But who killed Andrew? Was it one of the housemates? One of them, at least, has a sinister past - a past that seems to include getting away with murder. And what role did another of Andrew's schemes - his collection of lurid tales about earthquakes, sex, and embarrassing moments - play in his death? After a copycat killing happens nearby, the mystery only grows deeper. A Frank May Mystery from Quid Pro Books.

In a panoramic history of our criminal justice system from Colonial times to today, one of our foremost legal thinkers shows how America fashioned a system of crime and punishment in its own image.

Examines the constitutional relationship between Congress and the President in the post-September 11 world and argues that Congress should exercise its legitimate authority in guiding United States policy. This book focuses on the policies themselves, and on the way in which Congress can influence those policies for the better.

Erich Fromm was a political activist, psychologist, psychoanalyst, philosopher, and one of the most important intellectuals of the twentieth century. Known for his theories of personality and political insight, Fromm dissected the sadomasochistic appeal of brutal dictators while also eloquently championing love-which, he insisted, was nothing if it did not involve joyful contact with others and humanity at large. Admired all over the world, Fromm continues to inspire with his message of universal brotherhood and quest for lasting peace.The first systematic study of Fromm's influences and achievements, this biography revisits the thinker's most important works, especially Escape from Freedom and The Art of Loving, which conveyed important and complex ideas to millions of readers. The volume recounts Fromm's political activism as a founder and major funder of Amnesty International, the National Committee for a Sane Nuclear Policy, and other peace groups. Consulting rare archival materials across the globe, Lawrence J. Friedman reveals Fromm's support for anti-Stalinist democratic movements in Central and Eastern Europe and his efforts to revitalize American democracy. For the first time, readers learn about Fromm's direct contact with high officials in the American government on matters of war and peace while accessing a deeper understanding of his conceptual differences with Freud, his rapport with Neo-Freudians like Karen Horney and Harry Stack Sullivan, and his association with innovative artists, public intellectuals, and world leaders. Friedman elucidates Fromm's key intellectual contributions, especially his innovative concept of "e;social character,"e; in which social institutions and practices shape the inner psyche, and he clarifies Fromm's conception of love as an acquired skill. Taking full stock of the thinker's historical and global accomplishments, Friedman portrays a man of immense authenticity and spirituality who made life in the twentieth century more humane than it might have been.