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A unique and utterly charming book that is at once a novel and a work of art.
A new edition of the artist's bold reinterpretation of a century-old book
A new reissue of Leanne Shapton's Guestbook, which "elevates the traditional ghost story into an art form" (Interview), collaging the verbal and non-verbal into brief, eerie narratives.A house stands empty. Family photographs, wrapping paper, and watercolor portraits act as windows into other lives. Little sculptures relay the story of an estranged couple. Photographs of a tennis prodigy document his exhaustive fits.Guestbook: Ghost Stories arranges artifacts and illustrations alongside meditative dispatches from a familiar, yet new reality. Her stories invite both visual and literal readings of forgotten objects, dark interiors, memento, laid carefully before us. Shapton's beautiful and haunting pieces last long after the page has turned and the book has closed-making one wonder, ultimately, who has visited whom.
"e;Reading [Guestbook] feels akin to walking through an art exhibit, each piece linked in ways that are ineffable but clear. . . yearning, like a ghost, lingers long after the stories are done."e; --NPROne of our most imaginative writers and artists explores the visitations that haunt us in the midst of life, and reinvents the very way we narrate experience.A tennis prodigy collapses after his wins, crediting them to an invisible, not entirely benevolent presence. A series of ghosts appear at their former bedsides, some distraught, some fascinated, to witness their unfamiliar occupants. A woman returns from a visit to Alcatraz with an uncomfortable feeling. The spirit of a prisoner has attached himself to you, a friend tells her. He sensed the sympathy you had for those men. In more than two dozen stories and vignettes, accompanied by an evocative curiosity cabinet of artifacts and images, Guestbook beckons us through the glimmering, unsettling evidence that marks our paths in life.
Shut Up Truth is a document of artist Michael Schmelling's friendship with James Holloway, a Texas native and union projectionist. The project began in 1996, when Schmelling met Holloway at a film screening while on assignment in Texas for the Associated Press. Shut Up Truth iis an unflincing and intimate portrait of a single, white middle-aged man. The photographs, taken in El Paso, constitute a documentary of contemporary American life. Michael Schmelling was born in Pittsburgh in 1973. He now lives in New York City and is a regular contributor to The New York Times Magazine, New York Magazine, The Fader, Details.
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