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This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
The Complete Works Of Count Tolstoy V15: The Four Gospels Harmonized And Translated is a book written by Leo Tolstoy. This book includes a harmonized version of the four gospels of the New Testament, which are Matthew, Mark, Luke, and John. The book also includes a translation of the gospels by Tolstoy himself. The harmonization of the gospels means that the book presents a chronological and unified narrative of the life and teachings of Jesus Christ as depicted in the four gospels. The translation by Tolstoy aims to capture the essence and meaning of the original text in a clear and accessible language. This book is a valuable resource for those interested in studying the life and teachings of Jesus Christ, as well as for those interested in the literary works of Leo Tolstoy.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
On September 9, 1828, Leo Tolstoy was born in Tula Province, Russia. In the 1860s, he wrote his first great novel, War and Peace. In 1873, Tolstoy set to work on the second of his best known novels, Anna Karenina. He continued to write fiction throughout the 1880s and 1890s. One of his most successful later works was The Death of Ivan Ilyich. Tolstoy died on November 20, 1910 in Astapovo, Russia.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
A Confession is a short work on the subject of melancholia, philosophy and religion by the acclaimed Russian novelist Leo Tolstoy. It was written in 1879 to 1880, when Tolstoy was of late-middle age. The book is a brief autobiographical story of the author's struggle with a mid-life existential crisis. It describes his search for the answer to the ultimate philosophical question: "If God does not exist, since death is inevitable, what is the meaning of life?." Without the answer to this, for him, life had become "impossible". The story begins with the Eastern fable of the dragon in the well. A man is chased by a beast into a well, at the bottom of which is a dragon. The man clings to a branch that is being gnawed on by two mice (one black, one white, representing night and day and the relentless march of time). The man is able to lick two drops of honey (representing Tolstoy's love of his family and his writing), but because death is inevitable, he no longer finds the honey sweet. Tolstoy goes on to describe four possible attitudes towards this dilemma. The first is ignorance. If one is oblivious to the fact that death is approaching, life becomes bearable. The problem with this for him personally is that he is not ignorant. Having become conscious of the reality of death, there is no going back. The second possibility is what Tolstoy describes as Epicureanism. Being fully aware that life is ephemeral, one can enjoy the time one has. Tolstoy's problem with this is essentially moral. He states that Epicureanism may work fine and well for the minority who can afford to live "the good life," but one would have to be morally empty to be able to ignore the fact that the vast majority of people do not have access to the wealth necessary to live this kind of life. Tolstoy next states that the most intellectually honest response to the situation would be suicide. In the face of the inevitability of death and assuming that God does not exist, why wait? Why pretend that this vale of tears means anything when one can just cut to the chase? For himself, however, Tolstoy admits he is too cowardly to follow through on the most logically consistent response. Finally, Tolstoy says that the fourth that he is taking is the one of just holding on, living despite the absurdity of it, because he is not willing or able to do anything else. So it seems utterly hopeless - at least without God. So Tolstoy turns to the question of God's existence. After despairing of his attempts to find answers in classic philosophical arguments for the existence of God (e.g. the Cosmological Argument, which reasons that God must exist based on the need to ascribe an original cause to the universe), Tolstoy turns to a more mystical, intuitive affirmation of God's presence. He states that as soon as he said "God is Life," life was once again suffused with meaning. This faith could be interpreted as a Kierkegaardian leap, or a disingenuous compromise, but Tolstoy actually seems to be describing a more Eastern approach to what God is. The identification of God with life suggests a more monistic (or panentheistic) metaphysics characteristic of Eastern religions, and this is why rational arguments ultimately fall short of establishing God's existence: by misidentifying God, philosophical arguments miss the point. Tolstoy's original title for this work indicates as much, and his own personal "conversion" is suggested by an epilogue that describes a dream he had some time after completing the body of the text, confirming that he had undergone a radical personal and spiritual transformation.
Hadji Murat is a short novel written by Leo Tolstoy from 1896 to 1904 and published posthumously in 1912 (though not in full until 1917). It is Tolstoy's final work. The protagonist is Hadji Murat, an Avar rebel commander who, for reasons of personal revenge, forges an uneasy alliance with the Russians he had been fighting.
On the significance of Science and art By Leo Tolstoy
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Rare edition with unique illustrations and elegant classic cream paper. Anna Karenina, odin iz samyh znamenityh romanov L'va Tolstogo, nachinaetsja stavshej aforizmom frazoj: Vse schastlivye sem'i pohozhi drug na druga, kazhdaja neschastlivaja sem'ja neschastliva po-svoemu. Jeto kniga o vechnyh cennostjah: o ljubvi, o vere, o sem'e, o chelovecheskom dostoinstve. Tom 1 Chast' 1 Chast' 2 Chast' 3 Chast' 4 S illjustracijami.
Leo Tolstoy (September 9, 1828 - November 20, 1910) was a Russian writer who earned fame and global renown for his novels War and Peace and Anna Karenina. Writing during the late 19th century, Tolstoy lived during a literary period in which Realism flourished, and today his two novels are considered the apex of realist fiction. Tolstoy is also known for his complex and somewhat paradoxical persona, holding both moralistic and ascetic views during the final decades of his life.
""Auferstehung"" ist ein Roman von Leo Tolstoi aus dem Jahr 1900. Das Buch erz�����hlt die Geschichte des Adligen Dmitri Iwanowitsch Nekhljudow, der als Geschworener bei einem Gerichtsprozess gegen eine Prostituierte sitzt und erkennt, dass er sie in der Vergangenheit verf�����hrt hat. Von Schuldgef�����hlen geplagt, beschlie�����t Nekhljudow, die Frau zu retten und ihr ein neues Leben zu erm������glichen. Dabei ger�����t er in Konflikt mit seiner Familie und der Gesellschaft, die seine Entscheidungen nicht nachvollziehen k������nnen. Der Roman behandelt Themen wie Schuld, S�����hne und moralische Werte und ist ein wichtiger Beitrag zur russischen Literatur des 20. Jahrhunderts.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
What Is to be Done? is a non-fiction work by Leo Tolstoy, in which Tolstoy describes the social conditions of Russia in his day. Tolstoy completed the book in 1886. The English title was also used for two other works by Nikolai Chernyshevsky and Vladimir Lenin; Tolstoy's Russian title is similar but not identical to Chernyshevsky's (and Lenin's), all of them sharing the same Biblical reference (Luke 3:10-14).
Set against the sweeping panoply of Napoleon's invasion of Russia, War and Peace? presented here in the first new English translation in forty years?is often considered the greatest novel ever written. At its center are Pierre Bezukhov, searching for meaning in his life; cynical Prince Andrei, ennobled by wartime suffering; and Natasha Rostov, whose impulsiveness threatens to destroy her happiness. As Tolstoy follows the changing fortunes of his characters, he crafts a view of humanity that is both epic and intimate and that continues to define fiction at its most resplendent. * Includes an introduction, note on the translation, cast of characters, maps, notes on the major battles depicted, and chapter summaries BACKCOVER: ?The best translation so far of Tolstoy's masterpiece into English.? ?Robert A. Maguire, professor emeritus of Russian studies, Columbia University ?In Tolstoy's work part of the translator's difficulty lies in conveying not only the simplicity but the subtlety of the book's scale and effect. . . . Briggs has rendered both with a particular exactness and a vigorous precision not to be found, I think, in any previous translation.? ?John Bayley, author of Elegy for Iris
Tolstoi (1896) est un livre �����crit par l'auteur russe Leo Tolsto�����. Ce livre est une collection de textes �����crits par Tolsto����� lui-m������me, y compris des essais, des lettres et des extraits de ses �����uvres les plus c�����l�����bres. Les textes abordent une vari�����t����� de sujets, tels que la religion, la morale, la politique et la philosophie. Tolsto����� y exprime �����galement ses opinions sur l'art, la litt�����rature et la nature humaine. Ce livre est consid�����r����� comme une introduction essentielle ������ la pens�����e de Tolsto����� et ������ son travail. Les lecteurs y trouveront une r�����flexion profonde sur la vie et la soci�����t�����, ainsi qu'une analyse de la condition humaine. Tolstoi (1896) est un livre incontournable pour tous ceux qui s'int�����ressent ������ la litt�����rature russe et ������ la philosophie.This Book Is In French.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
The indignant and frightened thoughts of a good man who is, suddenly and inexplicably, dying: this is the crux of The Death of Ivan Ilyich, composed by Leo Tolstoy in the period just following his vehement conversion to a more virulent form of Christianity. A sharp criticism of the mediocre - and in Tolstoy's view, meaningless - life being played out by an emerging middle class in Russia, Ivan Ilyich was written as a kind of warning against complacency masked as contentedness and a call for his readers to contemplate the possible meaninglessness of their own lives.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
V 1851-53 Tolstoj na Kavkaze uchastvuet v voennyh dejstvijah (snachala v kachestve volontjora, zatem - artileristskogo oficera), a v 1854 otpravljaetsja v Dunajskuju armiju. Vskore posle nachala Krymskoj vojny ego po lichnoj pros'be perevodjat v Sevastopol' (v osazhdennom gorode on srazhaetsja na znamenitom 4-m bastione). Armejskij byt i jepizody vojny dali Tolstomu material dlja rasskazov Nabeg (1853), Rubka lesa (1853-55), a takzhe dlja hudozhestvennyh ocherkov Sevastopol' v dekabre mesjace, Sevastopol' v mae, Sevastopol' v avguste 1855 goda (vse opublikovano v Sovremennike v 1855-56). Jeti ocherki, poluchivshie po tradicii nazvanie Sevastopol'skie rasskazy, smelo ob#edinili dokument, reportazh i sjuzhetnoe povestvovanie; oni proizveli ogromnoe vpechatlenie na russkoe obshhestvo. Vojna predstala v nih bezobraznoj krovavoj bojnej, protivnoj chelovecheskoj prirode. Zakljuchitel'nye slova odnogo iz ocherkov, chto edinstvennym ego geroem javljaetsja pravda, stali devizom vsej dal'nejshej literaturnoj dejatel'nosti pisatelja. Pytajas' opredelit' svoeobrazie jetoj pravdy, N. G. Chernyshevskij pronicatel'no ukazal na dve harakternye cherty talanta Tolstogo - dialektiku dushi kak osobuju formu psihologicheskogo analiza i neposredstvennuju chistotu nravstvennogo chuvstva
The Kreutzer Sonata is a novella by Leo Tolstoy, named after Beethoven's Kreutzer Sonata. The novella was published in 1889 and promptly censored by the Russian authorities. The work is an argument for the ideal of sexual abstinence and an in-depth first-person description of jealous rage. The main character, Pozdnyshev, relates the events leading up to his killing his wife; in his analysis, the root cause for the deed were the "animal excesses" and "swinish connection" governing the relation between the sexes.
Tolstoy's novella makes rewarding and unsettling reading, for there is hardly another that treats death and dying as boldly. Death is a fact. In this story Ivan Ilyich's life and death are plainly represented in a fashion that remarkably resembles when one is near someone dying. What the novel puts on display in so satisfying and disconcerting a fashion is the remarkable inability or reluctance of most people to take part in the life of a person who is inevitably and rather immediately dying. Only one character in the novel has the goodness, humility and patience to care for a dying man, the rest scurry about and take care of their anticipated needs in the face of losing a loved one. Tolstoy's book provides such a fine portrait of a bureaucrat whose family life does not entirely satisfy him and whose pursuit of a more meaningful life fails to cease even in sickness, when he understands that his mortality is soon to be demonstrated. There are few works of this nature that can attain the company of this short novel. This book is excellent.
Alexander refused negotiations because he felt himself to be personally insulted. Barclay de Tolly tried to command the army in the best way, because he wished to fulfill his duty and earn fame as a great commander. Rostov charged the French because he could not restrain his wish for a gallop across a level field; and in the same way the innumerable people who took part in the war acted in accord with their personal characteristics, habits, circumstances, and aims. They were moved by fear or vanity, rejoiced or were indignant, reasoned, imagining that they knew what they were doing and did it of their own free will, but they all were involuntary tools of history, carrying on a work concealed from them but comprehensible to us. Such is the inevitable fate of men of action, and the higher they stand in the social hierarchy the less are they free.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
Powers of Darkness is an incredible literary discovery: In 1900, Icelandic publisher and writer Valdimar Ásmundsson set out to translate Bram Stoker's world-famous 1897 novel Dracula. Called Makt Myrkranna (literally, "Powers of Darkness"), this Icelandic edition included an original preface written by Stoker himself. Makt Myrkranna was published in Iceland in 1901 but remained undiscovered outside of the country until 1986, when Dracula scholarship was astonished by the discovery of Stoker's preface to the book. However, no one looked beyond the preface and deeper into Ásmundsson's story. In 2014, literary researcher Hans de Roos dove into the full text of Makt Myrkranna, only to discover that Ásmundsson hadn't merely translated Dracula but had penned an entirely new version of the story, with all new characters and a totally re-worked plot. The resulting narrative is one that is shorter, punchier, more erotic, and perhaps even more suspenseful than Stoker's Dracula. Incredibly, Makt Myrkranna has never been translated or even read outside of Iceland until now. Powers of Darkness presents the first ever translation into English of Stoker and Ásmundsson's Makt Myrkranna. With marginal annotations by de Roos providing readers with fascinating historical, cultural, and literary context; a foreword by Dacre Stoker, Bram Stoker's great-grandnephew and bestselling author; and an afterword by Dracula scholar John Edgar Browning, Powers of Darkness will amaze and entertain legions of fans of Gothic literature, horror, and vampire fiction.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This Is A New Release Of The Original 1878 Edition.
Epic historical novel by Leo Tolstoy, originally published as Voyna i mir in 1865-69. This panoramic study of early 19th-century Russian society, noted for its mastery of realistic detail and variety of psychological analysis, is generally regarded as one of the world's greatest novels. War and Peace is primarily concerned with the histories of five aristocratic families--particularly the Bezukhovs, the Bolkonskys, and the Rostovs--the members of which are portrayed against a vivid background of Russian social life during the war against Napoleon (1805-14). The theme of war, however, is subordinate to the story of family existence, which involves Tolstoy's optimistic belief in the life-asserting pattern of human existence. The novel also sets forth a theory of history, concluding that there is a minimum of free choice; all is ruled by an inexorable historical determinism. Includes unique illustrations.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Among all the noise, strife, debates, and politics of the last two millennia, the message of Christ has persisted through those who live it. This message is not a doctrine or a secret teaching, but a loving, engaged way of being which Jesus taught plainly and directly. Within this anthology, five authors describe what it means to them to be living this message in their life and time. The authors are: Leo Tolstoy, the famed late 19th century nihilist who converted late in his life; J.C. Kumarappa, who struggled for Indian independence with Gandhi, and was known as "Gandhi's economist"; Bayard Rustin, who brought nonviolence and Martin Luther King, Jr., into the American Civil Rights Movement; Hugh Hollowell, who founded a parish for the impoverished in Raleigh, North Carolina; and Magdelene Harrison, a prominent young Quaker scholar who rediscovered the Quaker symbol of "going naked as a signe".
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