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Iconoclasm, the debate about the legitimacy of religious art in Byzantium during the eighth and early ninth centuries, has long gripped the historical imagination. This book reinterprets the history of the period, challenges many traditional assumptions about iconoclasm, and sets it firmly in its broader political, cultural and social-economic context.
Vision and Meaning in Ninth-Century Byzantium deals with how such visual communication worked and examines the types of messages that pictures could convey in the aftermath of Iconoclasm.
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