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This book from the author of The Gift is about imagination and philosophy and was described by Margaret Atwood as a 'masterpiece'
';A manifesto of sorts for anyone who makes art [and] cares for it.' Zadie Smith';The best book I know of for talented but unacknowledged creators. . . . A masterpiece.' Margaret Atwood';No one who is invested in any kind of art . . . can readThe Giftand remain unchanged.' David Foster WallaceBy now a modern classic, The Gift is a brilliantly orchestrated defense of the value of creativity and of its importance in a culture increasingly governed by money and overrun with commodities. This book is even more necessary today than when it first appeared. An illuminating and transformative book, and completely original in its view of the world, The Gift is cherished by artists, writers, musicians, and thinkers. It is in itself a gift to all who discover the classic wisdom found in its pages.
Common as Air offers a stirring defense of our cultural commons, that vast store of art and ideas we have inherited from the past and continue to enrich in the present. Suspicious of the current idea that all creative work is "intellectual property," Lewis Hyde turns to America's Founding Fathers-men such as Adams, Madison, and Jefferson-in search of other ways to imagine the fruits of human wit and imagination. What he discovers is a rich tradition in which knowledge was assumed to be a commonwealth, not a private preserve.For the founders, democratic self-governance itself demanded open and easy access to ideas. So did the growth of creative communities such as that of eighteenth-century science. And so did the flourishing of public persons, the very actors whose "civic virtue" brought the nation into being.In this lively, carefully argued, and well-documented book, Hyde brings the past to bear on present matters, shedding fresh light on everything from the Human Genome Project to Bob Dylan's musical roots. Common as Air allows us to stand on the shoulders of America's revolutionary giants and thus to see beyond today's narrow debates over cultural ownership. What it reveals is nothing less than a vision of how to reclaim the commonwealth of art and ideas that we were meant to inherit.
In Trickster Makes This World, Lewis Hyde brings to life the playful and disruptive side of human imagination as it is embodied in trickster mythology. He first visits the old stories-Hermes in Greece, Eshu in West Africa, Krishna in India, Coyote in North America, among others-and then holds them up against the lives and work of more recent creators: Picasso, Duchamp, Ginsberg, John Cage, and Frederick Douglass. Twelve years after its first publication, Trickster Makes This World-authoritative in its scholarship, loose-limbed in its style-has taken its place among the great works of modern cultural criticism. This new edition includes an introduction by Michael Chabon.
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