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First Poems By Lewis Turco is a collection of early works by the American poet Lewis Turco. The book includes poems written between 1952 and 1964, showcasing the development of Turco's style and themes over time. The poems range in subject matter, from personal reflections on love and loss to observations of the natural world and social commentary. Turco's use of form and structure is also on display, with sonnets, sestinas, and other traditional poetic forms interspersed throughout the collection. Overall, First Poems By Lewis Turco offers readers a glimpse into the early career of one of America's most respected poets.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
This is the long-awaited collection of Lewis Turco's poems, comprising a dozen books in one. Rhina P. Espaillat, poet, concludes her Foreword to the book with these words: "And how fortunate the reading public is to have this wealth of writing by one of the country¿s most interesting poets now in one volume, not so much a book as a library of books, composed by the many persons who inhabit this haunted and perceptive poet! It belongs on the bookshelf of every reader willing to risk the joy and anguish of hearing the world, having it speak to him as vividly, ambiguously and honestly as it speaks to Lewis Turco."
This is the long-awaited collection of Lewis Turco's poems, comprising a dozen books in one. Rhina P. Espaillat, poet, concludes her Foreword to the book with these words: And how fortunate the reading public is to have this wealth of writing by one of the countrys most interesting poets now in one volume, not so much a book as a library of books, composed by the many persons who inhabit this haunted and perceptive poet It belongs on the bookshelf of every reader willing to risk the joy and anguish of hearing the world, having it speak to him as vividly, ambiguously and honestly as it speaks to Lewis Turco.
Buried in Emily Dickinson's letters are many lines that are stunningly beautiful, as beautiful as any to be found in her poems. Lewis Turco has taken some of these lines and written poems from them, on them, and around them. This volume, then, is a collaboration between two writers, one a 19th-century woman whose work became known to most readers only in the 20th century, and the other a post-modernist man of letters-an award-winning poet, critic, and scholar.In addition to the poems collected here, Turco has written an informative introduction and included several essays by feminist critics and other scholars who discuss various aspects of Emily Dickinson's letters.Emily Dickinson, Woman of Letters is therefore at once an addition to the Dickinson canon, a distinguished collection of contemporary poems, an important volume of critical scholarship in American literature, and a fascinating reading experience that will appeal to a wide audience of professionals and non-professionals alike.
The much-anticipated second edition of The Book of Literary Terms features new examples and terms to enhance Turco's classic guide that students and scholars have relied on over the years as a definitive resource for the definitions of the major terms, forms, and styles of literature.
An invaluable resource for writers and students of narrative seeking to master the art of dialogue. The book will teach you how to use dialogue to lay the groundwork for events in a story, to balance dialogue with other story elements, to dramatize events through dialogue, and to strategically break up dialogue with other elements of your story.
Now in its fifth edition, The Book of Forms continues to be the go-to reference and guide for students, teachers, and critics. Filled with both common and rarely heard of forms and prosodies, Turco's engaging style and apt examples invite writers to try their hands at exploring forms in ways that challenge and enrich their work.
THE FOREWORD BLUESWesli Court said I should write a book,A bunch of blues-enough to fill a book,And he'd design the cover. I said, "Look,If you'll write half of them, then I will chooseA ball-point pen, a felt-tip-I will chooseTo join you in a modicum of blues."And that's the reason, Reader, we are here-You, Wes and me-we three assembled hereAmong these turning leaves yellow and sere.We hope you'll think the words we write are fine,Our writing bold and dark, but our wordage fine . . . ,At least we hope you'll like the cover design.Envoy EpilogueGo, little book of sorrows, cares and woes,But Wesli's gone. Where? Only goodness knows.
This volume is a compilation of memoirs and poems of the author and his Sicilian immigrant family.
Poetry. "Lewis Turco... appears to have combined the longevity of Utnapishtim with the energy and industry of Gilgamesh: once seized with inspiration, he wrote THE HERO ENKIDU at white heat in his eightieth year. The inspiration itself is of the kind that, once someone has come up with it, makes us wonder why no one ever thought of it before, because in a number of ways Enkidu is a more interesting and attractive figure than Gilgamesh."--Michael Palma, from the Introduction
Providing an overview of the various schools of poetry that developed during the second half of the twentieth century and the first decade of the twenty-first, this book provides insights into the methods, concerns, and poems of many of the prominent poets of the period, and a critical assessment of the development of contemporary poetic movements including the most recent, Neoformalism.
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