Bøger af Liana Finck

From acclaimed New Yorker cartoonist Liana Finck comes a clever and validating twist on parent-child dynamics.This collection of classic parental nags are cleverly betrayed by the situations shown, in which it’s made clear that the child knows better. Each scenario is worthy of a giggle, adding a lightheartedness to the inevitable dynamics between parents and children. Cartoonist Liana Finck has created a catharsis for her own childhood memories of knowing better than authority figures, and in doing so, validates young readers with the respect and understanding they deserve.

A razor-sharp collection from the acclaimed New Yorker cartoonist and Instagram sensation whom Vulture recently called "a remarkable young talent"With her trademark, scratchy style and keen eye for the absurd, Liana Finck has amassed a large, devoted following who love the deeply insightful, delightfully odd way she describes how we all experience the world.Excuse Me assembles more than 500 of her most loved cartoons from Instagram and The New Yorker over the past few years, in such distinctive chapters as: Love & Dating; Gender & Other Politics; Animals; Art & Myth-Making; Humanity; Time, Space, and How to Navigate Them; Strangeness, Shyness, Sadness; and Notes to Self.Melancholy and hilarious, relatable and surreal, intensely personal yet surprisingly universal, Excuse Me brings together the best work so far by one of the most talented young comics artists working today.

"How do you know if you're ready to have a baby? How do you know if you might be pregnant? And how do you deal with peeing all the time and being hungry all the time and fielding well-meaning but kind of insulting advice and finding a doula and being dropped by your old friends and learning why it's called mom brain and not dad brain and spending half your life on hold with your insurance company and the tyranny of the milestones you're not meeting and negotiating boundaries with in-laws and realizing that your heart now exists outside of your chest and in the body of this tiny little being whose entire existence depends on the quality of your care? To tackle these questions and many others, award winning cartoonist and memoirist Liana Finck began illustrating her early years years of motherhood, sharing her joys, fears, and insecurities with her many fans"--

An evocative, elegiac love letter to New York City and the immigrant culture that continues to make it the most original and influential city in the world.As the nineteenth century gave way to the twentieth, a surge of Jewish immigrants to New York City reshaped indelibly not only the culture of the metropolis but of America itself. Struggling to assimilate to a new world while reconciling it to the old one they had left behind, these men and women shared their most private hopes and fears in a series of letters submitted to "A Bintel Brief"?Yiddish for "A Bundle of Letters"?the enormously popular, deeply affecting and often hilarious advice column of the newspaper The Forward.Conceived by Abraham Cahan, editor of The Forward, who answered every letter himself, A Bintel Brief transformed the fortunes of the paper, rapidly making it the most widely read Yiddish-language newspaper in the world. The letters that flooded into A Bintel Brief spoke with unparalleled immediacy to the daily heartbreaks and comedies of their bewildered writers' new lives, capturing the hope, isolation and confusion of assimilation, from intergenerational family politics and judgmental neighbors to crises of faith, unrequited love, runaway husbands, soul-crushing poverty and the difficulty of building an entirely new life from scratch.Drawn from these letters?selected and adapted by Liana Finck and brought to life in her singularly expressive illustrations that combine Art Spiegelman's deft emotionality and the magical spirit of Marc Chagall?A Bintel Brief is a wonderful panorama of a world and its people who, though long gone, are startlingly like ourselves. It is also a platonic love story of sorts between Abraham Cahan and Liana, as they engage in a bittersweet dialogue that explores the pleasures and perils of nostalgia, even as it affirms the necessary forward movement of life.

NEW YORK TIMES EDITORS’ CHOICE • An “irreverent yet profound” (Publishers Weekly) retelling of the Book of Genesis, starring a female God, from the acclaimed New Yorker cartoonist and author of Passing for Human ONE OF THE BEST BOOKS OF THE YEAR: The New YorkerIn this ambitious and transcendent graphic novel, Liana Finck turns her keen eye to none other than the Old Testament, reimagining the story of Genesis with God as a woman, Abraham as a resident of New York City, and Rebekah as a robot, among many other delightful twists. In Finck''s retelling, the millennia-old stories of Adam and Eve, Abraham and Isaac, and Jacob and Esau haunt the pages like familiar but partially forgotten nursery rhymes―transmuted by time but still deeply resonant. With her trademark insightfulness, wry humor, and supple, moving visual style, Finck accentuates the latent sweetness and timeless wisdom of the original text, infusing it with wit and whimsy while retaining every ounce of its spiritual heft. Let There Be Light is proof that old stories can live forever, whether as ancient scripture or as a series of profound and enchanting cartoons. The Book of Genesis is about some of the most fundamental, eternally pertinent questions that we can ask: What does it mean to be human? What is the purpose of our lives? And how should we treat one another? The stories that attempt to answer these questions are an immediate link with the people who first told them. Unable to fathom the holiness and preciousness of that notion, or put it into words, Finck set out to depict it. The result is a true story of creation, rendered by one of our most innovative creators.

**LONGLISTED FOR THE COMEDY WOMEN IN PRINT PRIZE 2020**Melancholy and funny, personal and surreal, Passing for Human is a neurological coming-of-age story in which Liana Finck goes in search of that thing she has lost - her shadow, that part of her that has always felt as though she is living in exile from the world.