Bøger af Liliana Corobca

Ana is eleven when the Soviet soldiers send her from Bukovina, Romania, to Kazakhstan. She is just one of many forced to leave behind her home and make the three week long journey via train. The trip is a harsh, humiliating one, but in spite of the cold and the closeness of death, life persists in the boxcar in the form of storytelling, riddles, and ritual. Years later, Ana recalls her childhood for her great granddaughter, who is considering moving her to a nursing home. Her story, told with unflinching candour, is a chronicle of a life lived during a time of great political and national change, a story of an existence defined and curtailed by lines drawn on a map. The narration is interspersed with songs that transform into poems, and prayers spoken in the past that become prayers in the present. What links the narration is not so much a plot as it is the reader''s astonishment. How could Ana survive such a series of experiences, and do so with her mind and heart intact? A history of cruelty and trauma lies behind the banal markers of contemporary life. These realisations combine in the central theme of the book, one which the narrator describes as, ''stories bring you youth.''

"With her parents gone in search of work, twelve-year-old Cristina must act as a mother to her two younger brothers. Through her eyes, we roam the streets of a contemporary Moldovan village populated almost entirely with children and old people. Just as most of the inhabitants left their countryside and homes with the desire to earn a better income, their parents also went to the world for money, the mother to Italy, the father to Siberia, and the children were left to fend for themselves. Here the youth must learn to survive on their own; they grow up fast, imitating the gestures of the absent adults, and chasing their fading memories of normal family life. This follow-up to Liliana Corobca's critically-acclaimed novel of censorship in eastern Europe, The Censor's Notebook is a novel that deals with a painful true reality, which has over time grown to become a phenomenon: the lives and struggles of children left home alone by parents who have gone to work abroad"--

Emilia Codrescu had been responsible for the burning and shredding of Romanian censors'' notebooks, viewed as State secrets, but prior to fleeing the country in 1974 she had stolen one. Now, forty years later, she makes the notebook available to ''Liliana Corobca'' for the newly instituted Museum of Communism The Censor''s Notebook is a window into the intimate workings of censorship under communism, steeped in mystery and secrets and lies, confirming the power of literature to capture personal and political truths.