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Exploring poetry by Mina Loy, Lola Ridge, and Marianne Moore, Linda A. Kinnahan argues that each writer engaged with the variations in feminist economic thought and discourse that developed in American culture from the 1890s through the 1920s. Her book establishes that women and their ideas contributed to an economic rethinking of gender and to a gendered rethinking of modern economics during the lead up to the Great Depression.
In Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets, Linda A. Kinnahan explores the making of Mina Loy's late modernist poetics in relationship to photography's ascendance, by the mid-twentieth century, as a distinctively modern force shaping representation and perception. As photography develops over the c
This book examines the early work of William Carlos Williams in relationship to a woman's tradition of American poetry, as represented by Mina Loy, Denise Levertov and Kathleen Fraser - three generations of women poets working in or directly from a modernist tradition. Linda Kinnahan traces notions of the feminine and the maternal that develop as Williams seeks to create a modern poetics.
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