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Linda France's tenth collection is galvanising, comprising poems written from, and into, the fabric of the sixth mass extinction. Here, beginnings end and endings begin, as we leap across time and space and encounter the inter-connected nature of emergency. France harnesses the power of innate ecological awareness, refreshing both individual and collective imaginations in order to create a lasting synergy between nature and culture. Grounded in seasonal fieldwork and close observation, these poems call for a rewilding of the self as well as the landscape: a momentous task, that, as France demonstrates, can only be achieved through the radical act of tenderness.
Reading the Flowers began during France's 2010-11 Leverhulme Residency at Moorbank, Newcastle University's Botanic Garden. Here nature and culture meet in poems looking at flowers cultivated and wild, trees in the garden and the rainforest, plants and creatures that live alongside them under the microscope of memory and imagination.
Linda France's seventh full-length collection is concerned with the dulaities of our inner and outer worlds - the seeming paradoxes of self and society, language and experiment, ideal and reality. At the heart of the book is a section look at Nature and Cultivation through the life and work of the landscape gardner Capability Brown.
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