Bøger af Louis Armand

VAMPYR: A CHRONICLE OF REVENGEAn anti-novel of the end times, set in the heart of Golemgrad under the spell of the CORVID=69 pandemic & an apocalyptic Corp[orate]=$[tate] terror apparatus..."How do you infiltrate a mind & systematically implode it? Read Vampyr." (Ryan Madej)GLITCHHEADSimultaneously verbo-visual collage & heterodox detective story about postmortem becoming, Armand's GLITCHHEAD is a text read with a breaking fever in the onset of delirium. The question remains, What runs the machine?This unique volume stages the long-overdue duel between VAMPYR and GLITCHHEAD.

Life is to capital as light is to a blackhole. Yet this apparently irresistible power to "absorb everything" runs up against laws of entropy that cause a blackhole to evaporate & life to propagate & evolve in ever-increasing forms of complexity. In this pivotal study, Louis Armand develops an entropology of capital & its systems of cultural power, asserting the possibility of a critique beyond the gravitational pull of "capitalist realism." Entropology is a radical re-examination of the major tropes of ideology & their iteration in the poetics of modernity, the avantgarde, media culture, cybernetics & posthumanism. From this constellation, a new critical theory is brought into view-a theory of the immanence of technology to life &, concurrently, of life to technology.

James Joyce's Giacomo Joyce has generated considerable interest since its posthumous publication in 1968 and this new, ground-breaking work addresses that interest. Giacomo Joyce has provoked widely differing opinions amongst Joyce scholars. But while critical attention has increased, little if anything has been done to draw together the various commentaries, document and exegeses related to this work in anything like a coherent manner. It is clear that in this absence of any full-length critical study that the emerging critical interest stands in need of a volume which would draw together existing scholarship and provide a basis for an ongoing critical project. This project has so far met with very positive responses from the community of Joyce scholars, and is widely considered to be a necessary and long over-due effort at presenting the last of Joyce's published texts within a broad scholarly apparatus. Both the authors have published extensively on Irish Literature and James Joyce and have presented papers at numerous Joyce conferences, symposia and summer schools.

"A debauched, hallucinogenic noir... If Georges Simenon had smoked angel dust he might have come up with a style like this." (Prague Post) "Mickey Spillane meets Georges Bataille on speed." (Goodreads) "The sort of thing Iain Sinclair might write if he'd morphed with Chris Petit..." (Stewart Home) "Pitch-perfect." (London Student) Kafkaville. Blake is a pornographer who photographs corpses. Ten years ago, a young man becomes a fugitive when a redhead disappears on abridge in the rain. Now, at the turn of the millennium, another redhead has turned up in the morgue, and the fugitive can't get the dead girl's image out of his head. For Blake, it's all a game -- a funhouse where denial is the currency, deceit is the grand prize, and all doors lead to one destination: murder. In the psychological noir-scape of Kafkaville, the rain never stops, and redemption is just another betrayal away... Described as "Robert Pinget does Canetti (in drag in Yugoslavia)," Louis Armand's novel Clair Obscur was published by Equus in 2011. His previous novel, Menudo (Antigen), was hailed as "unrelenting, a flying wedge, an encyclopaedia of the wasteland, an uzi assault pumping desolation lead... inspiring!"

Fiction. Set in and around Jardin des Plantes, Paris, Europe, the World, the Universe, Armand's short novel is a whodunit with multiple twists. The setting of the tale against a backdrop of fossils and marvels of taxidermy gives Armand's story a macroscopic dimension. As if the evolution of an entire species could be compressed into several hours of a Sunday morning. As if a tale of a murdered schoolteacher and a vengeful mob could tell of speciation and extinction throughout the evolutionary history of life on Earth. And it can. Armand's deftly written fragmentary narrative is a point-counter-point of silent unheard voices, whose apocalyptic finale eschews euphony in favour of a cacophonous refusal of resolution. "NO END"--loose ends being preferable to final solutions...