Bøger af Louise Wolthers

This richly illustrated catalogue celebrates Carrie Mae Weems, the 2023 Hasselblad Award winner by highlighting a number of prominent works, including Family Pictures and Stories (1978-84), Kitchen Table Series (1990), and From Here I Saw What Happened and I Cried (1995-96). With an intersectional approach to history and politics, Weems digs deep into photography's multiple roles in the representation of race, gender, and class. And even as her works scrutinise the mechanisms of stereotyping imagery, her artistic practice insists on visual complexity, as Louise Wolthers and Dragana Vujanovic Östlind show in their lengthy introduction. In her essay, Elvira Dyangani Ose, discusses the meaning of colour in Weem's work, and in particular the relations between colour and race.Text: Elvira Dyangani Ose, Louise Wolthers, Dragana Vujanovic Östlind.

Things Change Anyway er en kunstnerbog skabt i et samarbejde mellem den nonbinære, trans* billedkunstner MC Coble og kunst-og fotohistorikeren Louise Wolthers om forskellige former for metamorfoser i livet, kroppen, relationer og naturen. Bogens grundstamme er fotografier fra parrets personlige billedarkiv, som suppleres af fem essays af Wolthers og tolv collagetegninger af Coble.Things Change Anyway manifesterer frem for alt, hvordan fotografering, udveksling af blikke og at se på billeder er konstanter såvel i parrets professionelle som i deres private liv og relationer. De udvalgte men ucensurerede fotografier, som strækker sig over et årti, præsenteres i en legende, ikke-kronologisk og ikke-lineær redigering og udnytter til fulde snapshottets rå autenticitet.

Paolo Cirio presents the three series of works Attention, Property, and Derivatives in his solo show Images Rights at NOME Gallery in Berlin. The exhibition Images Rights expands upon Cirio's concept of Internet Photography, with a particular focus on the economic, legal, and semantic values of photos circulating online. These Cirio's works explore modes of appropriation art to address the political economy of images. Rather than authorship, these artworks problematize the ownership, liability, and social responsibility of the production and distribution of photos on the Internet. The series Attention, Property, and Derivatives each examine, respectively: images as currency of the attention economy, images as capital, and images as finance.