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Paris, the City of Light. We think of it as the city of the Eiffel Tower and the Louvre, of white fa,ades, discreet traffic and well-mannered exchanges. But there was another Paris, hidden from view and virtually extinct today - the Paris of the working and criminal classes that shaped the city over the past two centuries. In the voices of Balzac and Hugo, assorted boulevardiers, barflies, rabble-rousers and tramps, Sante takes the reader on a vividjourney through the seamy underside of Paris: the improvised accommodations of the original bohemians; the flea markets, the rubbish tips, and the hovels. The Other Paris is a lively tour of labour conditions, prostitution, drinking, crime, and popular entertainment, of the reporters, r,aliste singers, pamphleteers, serial novelists, and poets who chronicled their evolution. It upends the story of the French capital, reclaiming the city from the bon vivants and the speculators, and lighting a candle to the works and days of the forgotten poor.
"An autobiography-viewing the author's life from the transformative lens of her recent transition-and a critical examination of the trans strain in Western culture"--
The acclaimed author of Low Life reinvents the memoir in a cunning, lyrical book that is at once a personal history and a meditation on the construction of identity.Born in Belgium but raised in New Jersey, Luc Sante transformed himself from a pious, timid Belgian boy into a loutish American adolescent, who eschewed French while fantasizing about the pop star Françoise Hardy. To show how this transformation came about--and why it remained incomplete--The Factory of Facts combines family anecdote and ancestral legend; detailed forays into Belgian history, language, and religion; and deft synopses of the American character.
Acclaimed author Luc Sante's meticulously researched account of the creation of the upstate reservoir system that, in supplying water to New York City, makes its very existence possible-but irreparably altered rural ecosystems and communities
This volume - investigating the work of a particular photographer, in this case, Walker Evans - comprises a 4000-word essay by an expert in the field, 55 photographs presented chronologically, each with a commentary, and a biography of the featured photographer.
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