Bøger af Lucy Fitch Perkins

A charming children's classic about the adventures of two young twins in Belgium. Beautifully illustrated and full of heart and humor, this book is a delight for young readers and adults alike.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Swiss Twins is a delightful children's book written by Lucy Fitch Perkins. The story follows the adventures of two Swiss twins, Leneli and Seppi, as they explore their beautiful country and learn about its customs and traditions. The book is full of colorful illustrations that bring the characters and settings to life, and the language is simple and easy to understand, making it perfect for young readers. Along the way, Leneli and Seppi encounter a variety of interesting people, including farmers, cheese makers, and even a famous mountain climber. They also learn about the importance of hard work, honesty, and family values. The Swiss Twins is a charming and engaging book that is sure to delight both children and adults alike.The next day, and the day after that, the same lesson was repeated. The Twins went away with Fritz in the early morning and stayed all day long with the goats and came home with him in the sunset glow. But on the fourth day it was quite, quite different. It was different not only because they were to go alone with the goats for the first time, but also because it was the day when the greatest event of the whole year was to happen.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Lucy Fitch Perkins (July 12, 1865 - March 18, 1937) was an American illustrator and writer of children's books, known best for Dutch Twins (1911) and its sequels, the Twins series.Lucy Fitch was born on July 12, 1865 in Maples, Indiana, to Appleton Howe and Elizabeth (Bennett) Fitch. Her father was a teacher who moved to Maples to co-found a barrel stave factory. Her mother was a teacher. Fitch moved with her mother to Hopkinton, Massachusetts, to live with her father's patents as her father tried to recover from a financial setback from the Panic of 1873. Unhappy with the Hopkinton schools, the family moved to Kalamazoo, Michigan, in 1879.Fitch graduated from high school in 1883 and moved to Boston, Massachusetts, to attend the Museum of Fine Arts School. She met Dwight H. Perkins in her third year at the school. Fitch started to write children's fiction on a freelance basis for Young Folks. She graduated in 1886 and took a job as an illustrator for the Prang Educational Company of Boston. A year later, she followed Walter Scott Perry to the Pratt Institute in Brooklyn, New York, to become his assistant. Fitch left on August 18, 1891, to marry Perkins and move to Chicago, Illinois. Perkins initially tended to the household, writing only on occasion. However, after her husband struggled in the aftermath of the Panic of 1893, Perkins began to write to supplement the family income. The Chicago office of the Prang Educational Company employed Perkins for the next 10 years, offering her opportunities to teach and illustrate. In 1905, her husband was appointed chief architect for the Chicago Board of Education, allowing them to support the construction of a new house in Evanston, Illinois

Lucy Fitch Perkins (July 12, 1865 - March 18, 1937) was an American illustrator and writer of children's books, known best for Dutch Twins (1911) and its sequels, the Twins series.Lucy Fitch was born on July 12, 1865 in Maples, Indiana, to Appleton Howe and Elizabeth (Bennett) Fitch. Her father was a teacher who moved to Maples to co-found a barrel stave factory. Her mother was a teacher. Fitch moved with her mother to Hopkinton, Massachusetts, to live with her father's patents as her father tried to recover from a financial setback from the Panic of 1873. Unhappy with the Hopkinton schools, the family moved to Kalamazoo, Michigan, in 1879.Fitch graduated from high school in 1883 and moved to Boston, Massachusetts, to attend the Museum of Fine Arts School. She met Dwight H. Perkins in her third year at the school. Fitch started to write children's fiction on a freelance basis for Young Folks. She graduated in 1886 and took a job as an illustrator for the Prang Educational Company of Boston. A year later, she followed Walter Scott Perry to the Pratt Institute in Brooklyn, New York, to become his assistant. Fitch left on August 18, 1891, to marry Perkins and move to Chicago, Illinois.

High on the kitchen wall of an old farm-house on a mountain-side in Switzerland there hangs a tiny wooden clock. In the tiny wooden clock there lives a tiny wooden cuckoo, and every hour he hops out of his tiny wooden door, takes a look about to see what is going on in the world, shouts out the time of day, and pops back again into his little dark house, there to wait and tick away the minutes until it is time once more to tell the hour. Late one spring afternoon, just as the sun was sinking out of sight, lighting up the snow-capped mountains with beautiful colors and sending long shafts of golden light across the valleys, the cuckoo woke with a start. "Bless me!" he said to himself, "Here it is six o'clock and not a sound in the kitchen! It's high time for Mother Adolf to be getting supper. What in the world this family would do without me I really cannot think! They'd never know it was supper time if I didn't tell them, and would starve to death as likely as not. It is lucky for them I am such a responsible bird." The tiny wooden door flew open and he stuck out his tiny wooden head. There was not a sound in the kitchen but the loud ticking of the clock. "Just as I thought," said the cuckoo. "Not a soul here." There stood the table against the kitchen wall, with a little gray mouse on it nibbling a crumb of cheese. Along finger of sunlight streamed through the western window and touched the great stone stove, as if trying to waken the fire within. A beam fell upon a pan of water standing on the floor and sent gay sparkles of light dancing over the shining tins in the cupboard.

This scarce antiquarian book is a selection from Kessinger PublishingAcentsa -a centss Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for e

Lucy Fitch Perkins (July 12, 1865 - March 18, 1937) was an American illustrator and writer of children's books, known best for Dutch Twins (1911) and its sequels, the Twins series.Lucy Fitch was born on July 12, 1865 in Maples, Indiana, to Appleton Howe and Elizabeth (Bennett) Fitch. Her father was a teacher who moved to Maples to co-found a barrel stave factory. Her mother was a teacher. Fitch moved with her mother to Hopkinton, Massachusetts, to live with her father's patents as her father tried to recover from a financial setback from the Panic of 1873. Unhappy with the Hopkinton schools, the family moved to Kalamazoo, Michigan, in 1879.Fitch graduated from high school in 1883 and moved to Boston, Massachusetts, to attend the Museum of Fine Arts School. She met Dwight H. Perkins in her third year at the school. Fitch started to write children's fiction on a freelance basis for Young Folks. She graduated in 1886 and took a job as an illustrator for the Prang Educational Company of Boston. A year later, she followed Walter Scott Perry to the Pratt Institute in Brooklyn, New York, to become his assistant. Fitch left on August 18, 1891, to marry Perkins and move to Chicago, Illinois. Perkins initially tended to the household, writing only on occasion. However, after her husband struggled in the aftermath of the Panic of 1893, Perkins began to write to supplement the family income. The Chicago office of the Prang Educational Company employed Perkins for the next 10 years, offering her opportunities to teach and illustrate. In 1905, her husband was appointed chief architect for the Chicago Board of Education, allowing them to support the construction of a new house in Evanston, Illinois

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

The sunlight of the clear September afternoon shone across the roofs of the City of Rheims, and fell in a yellow flood upon the towers of the most beautiful cathedral in the world, turning them into two shining golden pillars against the deep blue of the eastern sky.

The Spartan Twins is a children's book written by Lucy Fitch Perkins. The story takes place in ancient Greece and follows the adventures of two young twins, Dion and Daphne, who live in the city of Sparta. The twins are very different in personality; Dion is brave and adventurous while Daphne is more cautious and reserved. Despite their differences, they are best friends and always stick together.The book follows the twins as they go through various experiences, including attending school, participating in athletic competitions, and going on a journey to visit their grandparents. Along the way, they learn about Spartan culture and customs, such as the importance of physical fitness, discipline, and loyalty to the state.The Spartan Twins is a charming and educational book that teaches children about ancient Greek life and values. It is filled with colorful illustrations and engaging storytelling that will capture the imagination of young readers. The book is suitable for children aged 8-12 and is a great addition to any child's library.Under the arcade in the court there was a small wooden table. Chloe and Daphne lifted it and brought it near the fire. Then they brought a plain wooden bench that also stood under the thatch and placed it beside the table. They arranged cushions of lamb's wool upon the bench, and near the foot set a low stool. Daphne brought the dishes, and when everything was ready, Lydia sent Chloe to call her husband and the Stranger, while she herself went out to the farm-yard. She found Dion and Argos sitting side by side on the wood-pile in dejected silence.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The children clung to her, weeping, as she finished. "There, there," she said soothingly: "I had to tell you this so you would be ready to do your best and not despair, whatever might happen, but be sure, my lambs, nothing shall harm you if I can help it, and nothing shall separate us from one another if God so wills. Now, go to sleep!"

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

It was late in the afternoon of a long summer's day in Belgium. Father Van Hove was still at work in the harvest-field, though the sun hung so low in the west that his shadow, stretching far across the level, green plain, reached almost to the little red-roofed house on the edge of the village which was its home. Another shadow, not so long, and quite a little broader, stretched itself beside his, for Mother Van Hove was also in the field, helping her husband to load the golden sheaves upon an old blue farm-cart which stood near by.

"[...]at the gallery of the second story and clapped her hands. "Chloe, Chloe," she called. The clacking suddenly stopped, and a young girl with black hair and eyes and red cheeks came out of the upper room and leaned over the balcony rail. "Did you want me?" she asked. "Indeed I want you!" answered her mistress. "Company is coming to supper and there is nothing in the house fit to set before him! Hurry and bring some wood. [...]."

Lucy Fitch Perkins (1865-1937) was an American illustrator and writer of children's books. Fitch started to write children's fiction on a freelance basis for Young Folks. In 1906, she published her first work, The Goose Girl, a collection of children's rhymes. A year later, she followed with A Book of Joys: A Story of a New England Summer, but both works had limited popular appeal. In 1911, she published The Dutch Twins, her first major work. The book was inspired by friend Edwin Osgood Grover, who saw a picture Perkins drew of a pair of Dutch children. Grover suggested to Perkins that she design a series centered around the twins. Perkins took the advice, and the Twins series were a popular success. She published 26 books in the Twins series for the Houghton Mifflin Company.

Long years ago, when this country was still an unbroken wilderness inhabited only by wild beasts and Indians, and rivers were the only highways of travel, there stood upon the southern shore of the swiftly flowing James a fine brick mansion belonging to Major George Burwell, a planter of old Virginia. His great estate of Honeywood stretched from the river-bank southward across many acres of cleared land deep into a virgin forest of immense cedars, pines, and water oaks. How far beyond the boundaries of Honeywood this forest extended no one then knew.Toward the west, farther up the river, there were tobacco-fields, and farther still there were pastures for cattle. Nearer, in a hollow, a little village of log cabins provided quarters for the large colony of negro slaves belonging to the estate. Toward the east, beyond the home place, there were more farmlands, then forest again, with cart-paths leading to the plantation warehouses a mile and a half away, where a dock stretched far out into the deep channel of the James.Along both shores of the river, like little kingdoms, lay other great estates - Brandon, Weyanoke, Westover - separated from one another by great stretches of forest and united only by rough trails winding beneath the trees, and by the great common highway of the yellow waters.The unbroken forest which once stretched across the continent disappeared long ago, and where once stood Indian villages, great cities now lift their chimneys and their spires. Where once the only roads were dangerous forest paths, highways and railroads now weave a pattern across the length and breadth of the land, bringing the very ends of the earth nearer together than were adjoining plantations in that early day. Yet a little apart from its changed world the stately old mansion of Honeywood still stands among its ancient groves of cedar, water oaks, and pines, and still the muddy waters of the James flow swiftly by it to the sea. Still the yellow primroses border the garden paths which lead from the river-bank to its white-columned portico; still the mockingbirds and cardinals flit about its box hedges and fill the air with music; and still the happy voices of children wake the echoes, just as they did in the year 1676 when Tom and Beatrix Burwell lived there.

"Now, Sandy," he said, as he stirred the compound into a gory paste, "you repeat after me, 'My foot is on my native heath, my name it is McGregor.'" Sandy obeyed with solemnity, and, this important ceremony over, Alan pronounced him a member of the Clan in good and regular standing.

"[...]tell which was Monnie and which was Tup as they tumbled in the snow together. Pretty soon Monnie picked herself up and shook off the snow. Then Tup shook himself, too. Menie was rolling over and over down the slope in front of the little stone house. His head was between his knees and his hands held his ankles, so he rolled just like a ball. Nip was running round and round him and barking with all his might. They made strange shadows on the snow in the moonlight. Monnie called to Menie. Menie straightened himself out at the bottom of the slope, picked himself up and ran back to her. "What shall we play?" said Monnie. "Let's get Koko, and go to the Big Rock and slide downhill," said Menie. "All right," said Monnie. "You run and get your sled." Menie had a little sled which his father had made for him out of driftwood. No other boy in the village had one. Menie's father had searched the beach for many miles to find driftwood to make this sled. The Eskimos have no wood but driftwood, and it is so precious that it is hardly ever used for anything but big dog sledges or spears, or other things which the men must have.[...]."

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.