Bøger af Lynne Tillman

A brilliant novella from a legendary figure in American fiction

The definitive book on a creative force who continues to influence sculpture and installation art

An updated edition of this classic photography book, with 20 new images.

A former historian is spending time in a residential home - but is it an artist's retreat, a sanatorium, or a mental institute?

From the acclaimed cult writer of Weird Fucks

"Mothercare represents an investigation of the question of duty, or conscience, what we owe or want to provide to the people in our lives. . . For a reader, there’s something bracing about Tillman’s honesty, which transforms “Mothercare” from a record or a logbook into a work of art." —David Ulin, Los Angeles TimesFrom the brilliantly original novelist and cultural critic Lynne Tillman comes MOTHERCARE, an honest and beautifully written account of a sudden, drastically changed relationship to one’s mother, and of the time and labor spent navigating the American healthcare system.When a mother’s unusual health condition, normal pressure hydrocephalus, renders her entirely dependent on you, your sisters, caregivers, and companions, the unthinkable becomes daily life. In MOTHERCARE, Tillman describes doing what seems impossible: handling her mother as if she were a child and coping with a longtime ambivalence toward her.In Tillman’s celebrated style and as a “rich noticer of strange things” (Colm Tóibín), she describes, without flinching, the unexpected, heartbreaking, and anxious eleven years of caring for a sick parent.MOTHERCARE is both a cautionary tale and sympathetic guidance for anyone who suddenly becomes a caregiver. This story may be helpful, informative, consoling, or upsetting, but it never fails to underscore how impossible it is to get the job done completely right.

From the brilliantly original novelist and cultural critic Lynne Tillman comes Mothercare, an honest and beautifully written account of a sudden, drastically changed relationship to one's mother, and of the time and labor spent navigating the American healthcare system.

Throughout her career, photographer Laurie Simmons (1949) has staged scenes with dolls, dummies and occasionally people for her camera. In the fall of 2009, Simmons opened a new chapter to her work and ordered a customized, high-end "Love Doll" from Japan. The surrogate sex partner arrived in a crate, clothed in a transparent slip and accompanied by a separate box containing an engagement ring and genitalia. Simmons documented her photographic relationship with this human scale "girl," depicting the lifelike, latex doll in an ongoing series of "actions"--each shown and titled chronologically from the day Simmons received the doll up to the present, describing the relationship she developed with her model. The first days of somewhat formal and shy poses give way to an ever-increasing familiarity and comfort level as time passes. A second doll arrived one year later. This new character, and the interaction between the two, reveal yet another dynamic in composition, both formal and psychological. In search of a stage for her Love Doll, Simmons turned to her own home, transforming it into an artfully staged, color coordinated, oversized dollhouse. A tale of disquieting adult fantasy, desire and regret, The Love Doll accompanies the complete photographic series with the artist's diary entries and is printed on a special paper to evoke the touch of a Love Doll's skin.

For readers of Joan Didion's The Year of Magical Thinking, and Simone de Beauvior's A Very Easy Death, Mothercare is an honest and beautifully written account of a sudden and drastically changed relationship with one's mother, and of the time and labor spent navigating the American healthcare system.When a parent's unusual health condition renders her entirely dependent upon you, your siblings, caregivers, and companions, the unimaginable will become daily life.Brilliantly original novelist and cultural critic Lynne Tillman became one of nearly 53 million Americans who care for a sick family member when her mother developed an unusual and little understood condition called Normal Pressure Hydrocephalus.Instantly, Tillman's independent and spirited mother went from someone she knew to someone else, a woman entirely dependent on her children-an eleven-year process through which her mother underwent many surgeries and some misdiagnoses, while the family navigated consultations and confrontations with doctors, adjusting to the complexity of her cognitive issues, including memory loss.With her notoriously exquisite writing style and reputation as a "rich noticer of strange things" (Colm Toíbín), Tillman describes, without flinching, the unexpected, heartbreaking, and frustrating years of caring for a sick parent.MOTHERCARE is both a cautionary tale and sympathetic guidance for anyone who suddenly becomes a caregiver, responsible for the life of another-a parent, loved or not, or a friend. This story may be helpful, informative, consoling, or upsetting, but it never fails to underscore how impossible it is to get the job done completely right.

From the author of Weird Fucks, a witty, bleak, and outrageous account of American girlhood.

This catalogue documents artist Jessica Stockholder's site-specific installation at the DIA Center for the Arts. Incorporating multifarious materials and textures, the installation transformed the 4000-square feet of the museum's ground floor gallery, constituting one of Stockholder's most impressive projects. Since the late 80s Stockholder has made a variety of site-specific installations which incorporate painting and sculpture and suggest architectural forms. She employs a diverse palette of found objects -- from plastic stacking crates, to carpets, to balls of brilliantly colored yarn -- in the weaving of complex structures in which objects and materials, color, texture, form, and space play off each other to memorable effect. This eye-popping and playful book also features two perceptive essays as well as a short piece by eminent avant-garde poet Ann Lauterbach.

Here is an American mind contemplating contemporary society and culture with wit, imagination, and a brave intelligence. Tillman upends expectations, shifts tone, introduces characters, breaches limits of genre and category, reconfiguring the world with the turn of a sentence. Like other unique thinkers, Tillman sees the world differently—she is not a malcontent, but she is discontented. Her responses to art and literature, to social and political questions change the reader''s mind, startling it with new angles. Which is why so many of us who know her work often wonder: what would Lynne Tillman do? A long-time resident of New York, Tillman''s sharp humor is like her city''s, tough and hilarious. There are distinct streams of concern coursing through the seeming eclecticism of topics—Hillary Clinton, Jane Bowles, O.J. Simpson, art and artists, Harry Mathews, the state of fiction, film, the state of her mind, the State of the Nation. There is a great variety, but what remains consistent is how differently she writes about them, how well she understands, how passionate and bold her writing is.What does Lynne Tillman do? Everything. Anything. You name it. She has a conversation with you, and you''re a better, smarter person for it.

Ezekiel Hooper Stark is a cultural anthropologist nudging forty. His interest is family snapshots. At home, he is absorbed by his own family''s idiosyncrasies, perversities, and pathologies, until romantic betrayal sends him spiralling into a crisis. All the old models of masculinity are broken. Zeke embarks on a new project, studying the ''New Man'', born under the sign of feminism. What do you expect from women? he asks his male subjects. What do you expect from yourself? Meanwhile, what will the reader make of Zeke is he enlightened, chauvinistic, or simply delusional? Kaleidoscopic and encyclopaedic, comic, tragic, and philosophical, Men and Apparitions showcases Lynne Tillman not only as a brilliantly original novelist but also as one of our most prominent contemporary thinkers on art, culture and the politics of gender.

Veteran abstractionist Stanley Whitney explores more intimately scaled canvases in this deluxe slipcased overview of recent worksNew York-based painter Stanley Whitney (born 1946) is known for his vivid multicolored abstract paintings, with stacked irregular rectangles of color in a loose grid composition on square-format canvases. In this new slipcased volume, featuring a unique design with 12 gatefolds, Whitney extends his trademark style to a smaller scale. He produces his smaller "afternoon paintings" with the leftover paint after completing a large painting. These works express Whitney's dedication to the consistency of his painting, which he likens to athletic training or the "wood-shedding" that jazz musicians invoke when describing time spent honing their improvisatory skills behind closed doors. Featuring an introductory essay by writer and critic Lynne Tillman, this book provides an intimate, expressive glimpse into the mind of a master when he is "more relaxed, more loose, more carefree."

Praise for Lynne Tillman"One of America's most challenging and adventurous writers." — Guardian"Lynne Tillman has always been a hero of mine—not because I 'admire' her writing, (although I do, very, very much), but because I feel it. Imagine driving alone at night. You turn on the radio and hear a song that seems to say it all. That's how I feel..." — Jonathan Safran Foer"Like an acupuncturist, Lynne Tillman knows the precise points in which to sink her delicate probes. One of the biggest problems in composing fiction is understanding what to leave out; no one is more severe, more elegant, more shocking in her reticences than Tillman." — Edmund White“Anything I’ve read by Tillman I’ve devoured.” — Anne K. Yoder, The Millions"If I needed to name a book that is maybe the most overlooked important piece of fiction in not only the 00s, but in the last 50 years, [American Genius, A Comedy] might be the one. I could read this back to back to back for years." — Blake Butler, HTML Giant

While the tumultuous 1970s rock the world around them, a collection of aging expatriates linger in a quiet town on the island of Crete, where they have escaped their pasts and their present. Among them is Horace, a gay American writer who fears he has finally reached old age. Friends only frustrate him, and his youthful Greek lover provides little

"Like Tosca, Charles Henri Ford has lived for art and love...a masterpiece."Edmund White