Gør som tusindvis af andre bogelskere
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The Making of Modern Law: Foreign, Comparative and International Law, 1600-1926, brings together foreign, comparative, and international titles in a single resource. Its International Law component features works of some of the great legal theorists, including Gentili, Grotius, Selden, Zouche, Pufendorf, Bijnkershoek, Wolff, Vattel, Martens, Mackintosh, Wheaton, among others. The materials in this archive are drawn from three world-class American law libraries: the Yale Law Library, the George Washington University Law Library, and the Columbia Law Library.Now for the first time, these high-quality digital scans of original works are available via print-on-demand, making them readily accessible to libraries, students, independent scholars, and readers of all ages.+++++++++++++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: +++++++++++++++Harvard Law School LibraryLP2H002810018870101The Making of Modern Law: Primary Sources, Part IISt. Louis: Nixon-Jones, 1887viii, 1329, [1] p.; 24 cmUnited States
THREE-STRAND CORDAGE is about delivering sailboats from what was, in the 1950s and early '60s, the quiet town of Fort Lauderdale, to the scattered and lonely Bahamas, the sleepy ports of the Caribbean, and the laughter, violence and sensuality that surfaces after sunset. The three strands winding this cordage are interwoven tales of those times, life-molding adventures told by a now-old man questing for a haven in the Florida of today. It's a sailing yarn of pursuit from the Bahamas to the Lesser Antilles, of being caught up in a friend's relentless and ultimately bloody rescue of a mysterious young woman. It's the harsh lessons woven around the illusions, tropical intrigues and betrayals of Tampa's anti-Castro Cubans in 1960. And it's the terrifying narrative of sailing into a hurricane. But finally, Three-Strand Cordage is the lost smell of wooden boats and manila rope and canvas sail, the foolishness of young men and the blind stubbornness of old men, acceptance and love and closure, and the magic Floridas that now are gone -all gone - save, of course, for the ghosts.
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