Bøger af Mabel Dodge Luhan

Offers the edited memoirs of one woman's rebellion against "the whole ghastly social structure" under which the US had been buried since the Victorian era. Intimate Memories details Mabel Dodge Luhan's assemblage of a series of utopian domains aimed at curing the malaise of the modern age and shows Luhan not just as a visionary hostess but as a talented and important writer.

This second volume in 1935, of four, of Intimate Memories details events in Mabel Dodge Luhan's married life and then her experiences in France and Italy, and her many colorful and sometimes sad acquaintances until she finally, seemingly tired of Europe, returns to the United States remarking in the last page, however, that "e;...it is ugly in America."e; In this book, in what applies to all four volumes in her memoirs, she arrests the reader with a frankness completely unique to Luhan. Revealing many personal accounts, in her foreword she says, "e;What a delicacy one needs to tell a story and at the same time not to tell it."e; And then she says, "e;I hope I may be forgiven when I fail."e; Surely she did not. As salon hostess, writer, and muse, she published her four volumes and 1,600 pages of "e;intimate memories"e; all during the 1930s. In vivid and compelling prose, she explored the momentous changes in sexuality, politics, art, and culture that moved Americans from the Victorian into the modern age. Noted for assembling and inspiring some of the leading creative men and women of her day-Gertrude Stein, John Reed, and D. H. Lawrence, among them-she was a "e;mover and shaker"e; of national and international renown during her lifetime. * * * * Born in 1879 to a wealthy Buffalo family, Mabel Dodge Luhan earned fame for her friendships with American and European artists, writers and intellectuals and for her influential salons held in her Italian villa and Greenwich Village apartments. In 1917, weary of society and wary of a world steeped in war, she set down roots in remote Taos, New Mexico, then publicized the tiny town's inspirational beauty to the world, drawing a steady stream of significant guests to her adobe estate, including artist Georgia O'Keeffe, poet Robinson Jeffers, and authors D.H. Lawrence and Willa Cather. Luhan could be difficult, complex and often cruel, yet she was also generous and supportive, establishing a solid reputation as a patron of the arts and as an author of widely read autobiographies. She died in Taos in 1962.

This first volume in 1933, of four, of "e;Intimate Memories"e; details incidents that impressed Mabel Dodge Luhan up until she was eighteen. Here she stresses her struggle during childhood and girlhood to become an individual. She says, "e;So the houses I have lived in have shown the natural growth of a personality struggling to become individual, growing through the degrees of crudity to a great sophistication and to simplicity."e; This struggle takes place before a Victorian background made up of Buffalo, Lenox, Newport, New York, and Europe where at Bayreuth she wrote that Siegfried Wagner "e;...walked aimless here and there, looking like a waxen sketch of his father, melting a little under the sun."e; The various members of the family and the friends are carefully presented from the impressions of the child, who studies each with interest. Her first recollections are of her own home and her parents. Even there she felt the vague discontent that gradually shaped itself into a determination to seek the heights and depths of experience. She records from the shifting scenes of playmates, schools, and gravel, incidents that concern the quaint fashions of the time-bustles, stiffly starched window curtains, sleigh rides, dancing classes, white picket fences-and from these incidents gradually evolves a picture of the town and country life of America during the closing era of the nineteenth century. As salon hostess, writer, and muse, she published her four volumes and 1,600 pages of "e;intimate memories"e; all during the 1930s. In vivid and compelling prose, she explored the momentous changes in sexuality, politics, art, and culture that moved Americans from the Victorian into the modern age. Noted for assembling and inspiring some of the leading creative men and women of her day-Gertrude Stein, John Reed, and D. H. Lawrence, among them-she was a "e;mover and shaker"e; of national and international renown during her lifetime. Born in 1879 to a wealthy Buffalo family, Mabel Dodge Luhan earned fame for her friendships with American and European artists, writers and intellectuals and for her influential salons held in her Italian villa and Greenwich Village apartments. In 1917, weary of society and wary of a world steeped in war, she set down roots in remote Taos, New Mexico, then publicized the tiny town's inspirational beauty to the world, drawing a steady stream of significant guests to her adobe estate, including artist Georgia O'Keeffe, poet Robinson Jeffers, and authors D.H. Lawrence and Willa Cather. Luhan could be difficult, complex and often cruel, yet she was also generous and supportive, establishing a solid reputation as a patron of the arts and as an author of widely read autobiographies. She died in Taos in 1962.

In 1917 Mabel Sterne, patron of the arts and spokeswoman for the New York avant-garde, came to the Southwest seeking a new life. This autobiographical account, long out-of-print, of her first few months in New Mexico is a remarkable description of an Easterner's journey to the American West. It is also a great story of personal and philosophical transformation. The geography of New Mexico and the culture of the Pueblo Indians opened a new world for Mabel. She settled in Taos immediately and lived there the rest of her life. Much of this book describes her growing fascination with Antonio Luhan of Taos Pueblo, whom she subsequently married. Her descriptions of the appeal of primitive New Mexico to a world-weary New Yorker are still fresh and moving. <p>I finished it in a state of amazed revelation . . . it is so beautifully compact and consistent. . . . It is going to help many another woman and man to 'take life with the talons' and carry it high.--Ansel Adams