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The Story of Jessie, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.
In this heartwarming tale of love and redemption, Jessie must overcome her past in order to make a new life for herself and her son. With the help of kind strangers and a steadfast spirit, she faces the challenges of womanhood in the late 19th century, from poverty to prejudice. But through it all, Jessie remains true to herself and her dreams, providing inspiration to readers of all ages.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The kettle sat on the hob, and Mona sat on the floor, both as idle as idle could be. "I will just wait till the kettle begins to sing," thought Mona; and became absorbed in her book again. After a while the kettle, at any rate, seemed to repent of its laziness, for it began to hum softly, and then to hum loudly, and then to sing, but Mona was completely lost in the story she was reading, and had no mind for repentance or anything else. She did not hear the kettle's song, nor even the rattling of its cover when it boiled, though it seemed to be trying in every way to attract her attention. It went on trying, too, until at last it had no power to try any longer, for the fire had died low, and the kettle grew so chilly it had not even the heart to 'hum, ' but sat on the black, gloomy-looking stove, looking black and gloomy too, and, if kettles have any power to think, it was probably thinking that poor old granny Barnes' tea would be scarcely worth drinking when she came home presently, tired and hungry, from her walk to Milbrook, for Mona, even if she realised that the water had boiled, would never dream of emptying it away and filling the kettle afresh, as she should do.
The Mean-Wells, has been acknowledged as a major work throughout human history, and we have taken precautions to assure its preservation by republishing this book in a modern manner for both present and future generations. This book has been completely retyped, revised, and reformatted. The text is readable and clear because these books are not created from scanned copies.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Patience is delighted at having a grandchild about, but Thomas is troubled. Jessie, when she arrives, is the image of Lizzie as a child. Thomas and Patience must deal with their feelings about their daughter, starting with the need to house Jessie in Lizzie's old room, which Thomas hasn't entered since his daughter left.Florence Mabel Quiller-Couch was a younger sister of Arthur Quiller-Couch, who was Professor of English Literature at Cambridge, and wrote fiction as "Q." Like her brother and sister Lillian, she became a writer, producing a total of twenty-six published works.
The book, "" Anxious Audrey "" , has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.
Florence Mabel Quiller-Couch (17 June 1865 - November 1924) was an English editor, compiler and children''s writer. Mabel Quiller-Couch was born in Bodmin, Cornwall to physician Thomas Quiller-Couch and his wife, Mary (née Ford). She was the second child and eldest daughter of five children. Her elder brother was the critic Arthur Quiller-Couch. After a disappointment in love, she lived with her younger sister Lilian Mary, also a writer, in Hampstead. Of her 26 publications, one was jointly written and one jointly edited with her sister. Quiller-Couch was the author of a number of novels and the compiler of an anthology of writings about the University of Oxford up to 1850.
Florence Mabel Quiller-Couch (17 June 1865 - November 1924) was an English editor, compiler and children''s writer. Mabel Quiller-Couch was born in Bodmin, Cornwall to physician Thomas Quiller-Couch and his wife, Mary (née Ford). She was the second child and eldest daughter of five children. Her elder brother was the critic Arthur Quiller-Couch. After a disappointment in love, she lived with her younger sister Lilian Mary, also a writer, in Hampstead. Of her 26 publications, one was jointly written and one jointly edited with her sister. Quiller-Couch was the author of a number of novels and the compiler of an anthology of writings about the University of Oxford up to 1850.
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