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Lyon Street is a love letter to a perpetually reincarnating city that often fails to remember itself. Reading Lyon Street, says novelist David Scott Ewers, is to imbibe "a San Francisco of the Mind." This art piece's linked poems, playing as jazz solos over common changes, evocative artwork, street map design, and playfully archival elements conjure a San Francisco in which past and possibility provocatively entwine. Its poems animate a more dangerous, often tragic, yet truly gentle San Francisco lost, reckon with seismic shifts in this forgetful place, and come to embrace the enduring openness of life at Pacific's edge.
Verse fragments and collages describing the Typewriter Underground, a spontaneous sub-cultural phenomenon that appeared with near simultaneity in a variety of cities across the globe in the late 20th and early 21st Century. The Commedia, commonly referred to as "Felt's First Folio," offers a lively picture of life in this subterranean community.
"The Underwater Typewriter" immerses us in the ritual of finding and expressing voice, bestowed by grace, in the face of cruelty, chance, betrayal and loss. It arrives as a collection of weathered shards, gathered and turned, through which light and by implication love, bent and at times nearly occluded, passes kaleidoscopically. The Underwater Typewriter's shifting patterns reveal the variety and range demanded of a poet traversing brutal terrain, tempted by but refusing bitterness. Zegans' poetry inverts Browning, finding human possibility in the broken, and discovers life beyond Joseph Cornell's wistful memory compiled in the collage of remaindered things. Listen closely as you read, for sound travels great distances under water.
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