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Hannah Ives struggled through the darkness of illness and uncertainty, and fellow patient Valerie Stone was at her side. As cancer survivors they have a lot to celebrate when they meet again at The Race for the Cure(R). Valerie seems to have it all-health, new-found wealth and a husband and daughter who adore her. But their reunion is short-lived. Valerie is dead and a suspicious Hannah runs a marathon of another sort, threading her way through a maze of clues trying to uncover the cause of her friend's untimely death. Fearing she had only months to live, Valerie had taken a viatical settlement, selling her life insurance policy through a broker. But an experimental drug had put Valerie's cancer into remission. Had an investor been unwilling to wait for his investment to 'mature'? Soon residents start dying in an upscale retirement community, residents who had taken senior settlements, selling their life insurance policies, like Valerie had, for cash. Was there a connection? With the help of her eighty-something friend, L.K. Bromley, Hannah plunges into the investigation, taking her father's advice to 'follow the money.' But the deeper Hannah digs the more horrifying the mystery becomes. There are those in the big business of living and dying who think she's becoming too curious . . . and it's high time her questions were silenced. Hannah Ives knows what it means to be a survivor. Now she's caught in an ever-tightening web of greed, fraud and corruption, and she's about to discover what it means to be a target.
Hannah, her sisters and fourteen-year-old niece Julie set sail from Baltimore on a bonding cruise, and have a dramatic first night when Pia Fanucci, a bubbly bartender magician's assistant whom Hannah befriends, narrowly escapes injury during an illusion. But while Pia may make light of the incident, it's no laughing matter when Julie suddenly disappears. Has she gone overboard, or is she injured somewhere on the enormous ship? To make matters worse, Hannah meets David Warren, a grieving father whose twenty-two-year-old daughter vanished without trace from an earlier cruise. With claims of a proper investigation proving to be an illusion too far, Hannah teams up with David and Pia in desperation. Can they see through the ship's smoke and mirrors to reveal the identity of a dangerous sea-faring predator?
The discovery of a mummified body of a dead infant in the chimney of Hannah Ives' new house leads Hannah on the hunt for clues as to its identity. But she is unaware that more shocking events lie around the corner . . .
Hannah Ives is always ready to support others like herself who have been through the gauntlet of fear and uncertainty that a diagnosis of cancer often brings. So when friend and fellow survivor Dorothy Hart asks for help building sets for the Naval Academy's upcoming production of Sweeney Todd, Hannah readily agrees.But it means associating with an old foe -- a vindictive officer whose accusations once nearly destroyed Hannah's home life. And when one corpse too many appears during a dress rehearsal of the dark and bloody musical, Hannah finds herself accused of murder -- and enmeshed in a web of treachery and deception that rivals the one that damned the "Demon Barber."Caught up in a drama as sinister as any that has ever unfolded on stage, Hannah stands to lose everything unless she unmasks a killer before the final curtain falls ...
Hannah, her sisters and fourteen-year-old niece Julie set sail from Baltimore on a bonding cruise, and have a dramatic first night when Pia Fanucci, a bubbly bartender magician's assistant whom Hannah befriends, narrowly escapes injury during an illusion. But while Pia may make light of the incident, it's no laughing matter when Julie suddenly disappears.
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