Bøger af Marco Livingstone

The first major monograph on the life and work of British artist Adrian Berg (b.1929), this book examines his 50-year career, both as an artist of serious note and as an influential teacher, whose students included Tracey Emin, amongst any others.

Joe Tilson RA (1928-2023) was one of the great figures in post-war British art and a pivotal artist of the British Pop Art movement during the 1960s. His work ever evolving, he explored many new directions and a great variety of mediums after moving away from his Pop origins. Astonishingly, no general monograph documenting all these phases of Tilson's prolific production has ever been published. This book remedies this through a series of insightful chapters, exploring each decade of the artist's career, written by Marco Livingstone, a respected authority on British contemporary art. Featuring a lively and visually rich design, this unique work will guide the reader through the evolution of one of the most distinctive voices in contemporary British art.

United in their desire to create images "absolutely of the moment," Polke, Lichtenstein and Laing--three artists on separate but interrelated artistic journeys--turned their attention in the early 1960s toward the Ben-Day dot. Featuring works inspired by this printing method, Source and Stimulus connects these artists on this basis.

A fully updated edition of the most comprehensive illustrated survey of the life and work of Peter Blake, one of Britain‿s most popular artists. Since his emergence in the early 1960s as a key member of the Pop Art movement, Peter Blake has become one of the best-known and most popular artists of his generation. Though primarily a painter, he has worked across many media, from drawings, watercolours and collages to sculpture and printmaking, as well as commercial art in the form of graphics and album covers ‿ most notably his design for The Beatles‿ Sgt. Pepper album in 1967. Exploring his remarkable creative output from the 1950s to the present, Peter Blake is the most comprehensive illustrated survey available of the life and work of the artist. Marco Livingstone grounds Blake‿s art firmly in his working-class origins, identifying a yearning for the innocence of childhood in his bittersweet paintings of the early to mid-1950s that depict children reading comics or going to the Saturday matinee at the cinema. From that moment, while studying at the Royal College of Art in London, Blake concerned himself with popular entertainments as subject matter, and as the source of formal solutions, for his paintings. The directness with which Blake gave expression to his enthusiasms for mass culture during the 1950s brought him to the forefront of the Pop Art movement before it had even been named, and independently of the investigations into similar areas by other British, American and European artists. The radical nature of his collage paintings of 1959‿62, in particular, in which he combined existing imagery from popular culture with unapologetically bold and bright colours, made him a singularly influential figure within British Pop. This fully updated edition includes a new chapter on what the artist has jokingly styled his ‿Late Period‿, in which Blake has continued to mine the many strands of his art with undiminished energy and completed some of his most ambitious long-standing projects. As well as the sheer scale of Blake‿s production, what becomes clear is the kaleidoscopic variety of subject matter, form and medium to be found in his work, its humour and friendly appeal, and, above all, its celebration of life and humanity.

David Hockney (b 1937) has always been closely associated with Pop Art and California, where he has lived for much of his life. This study of his work redefines him as an important painter of the English countryside, addressing the artists place in the landscape tradition, his video works and their relationship to English landscape film-making.

Explores different formal ways of representing the passage of time and at the same time the unavoidable but marvellous stillness of portraits.

Discusses about the author's friendship and working relationship with Aldo Crommelynck, the printer of Matisse and Picasso. This work charts the extent to which his experience of working with a man who was not only a great printer, but also a skilled draughtsman, an aesthete, dandy and bon viveur.