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This book is the first to provide a critical survey of the many different uses made of the term post-modern across a number of different disciplines and to give a historical and critical analysis of the concept of the post-industrial society to which the concept of the post-modern in art, architecture and politics has often been related.
An original and challenging study of Marxist aesthetic theory from an art-historical perspective.
In this definitive study of parody Margaret Rose presents a history of theories and uses of parody from ancient to contemporary times. The book expands and revises her earlier Parody/Meta-Fiction (1979), providing a full and detailed account of the subject which will become a standard work.
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