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Tree Frogs, Unicorns and Other Creatures by Margaret Mccarthy
Pop literature of the 1990s enjoyed bestselling success, as well as an extensive and sometimes bluntly derogatory reception in the press. Since then, less censorious scholarship on pop has emerged to challenge its flash-in-the-pan status by situating the genre within a longer history of aesthetic practices. This volume draws on recent work and its attempts to define the genre, locate historical antecedents and assess pop's ability to challenge the status quo. Significantly, it questions the 'official story' of pop literature by looking beyond Ralf Dieter Brinkmann's works as origin to those of Jurgen Ploog, Jorg Fauser and Hadayatullah Hubsch. It also remedies the lack of attention to questions of gender in previous pop lit scholarship and demonstrates how the genre has evolved in the new millennium via expanded thematic concerns and new aesthetic approaches. Essays in the volume examine the writing of well-known, established pop authors - such as Christian Kracht, Andreas Neumeister, Joachim Lottman, Benjamin Lebert, Florian Illies, Feridun Zaimoglu and Sven Regener - as well as more recent works by Jana Hensel, Charlotte Roche, Kerstin Grether, Helene Hegemann and songwriter/poet PeterLicht.
The main character, Captain McCallister, sets out to correct a situation that he himself did not create. Through hardship and heartache, his determination provides him much needed strength.
The last two decades have been frequently discordant for German feminism, as a new cohort of activists has come of age and challenged many of the movement's strategic and philosophical orthodoxies.
This book offers an incisive cultural analysis of these trans-generational debates, identifying characteristic features of their representation in German literature, film, and media.
Need to apologise to a friend? Want to complain about a rude sales person? McCarthy has provided samples which you can use as is, or modify to suit your own particular style.
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