Bøger af Margot E. Fassler

First full-length study of the role and duties of the medieval cantor.

Examines how the Augustinians of St. Victor, Paris, used an art of memory to build sonic models of the church. This musical art developed over time, inspired by the religious ideals of Hugh and Richard of St. Victor and their understandings of image and the spiritual journey.

Identifies and recovers the excitement and dynamism that characterized ceremonial culture in pre-modern Europe. This work talks about: the relation between public and private space, the development of fully-realized dramas and rituals from earlier forms, and the semiotic code that ceremonies manifested to their audiences.