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This is the personal diary of Marie Bashkirtseff, a Ukrainian-Russian artist and writer. She recorded her daily life as well as her thoughts and emotions. It is an intimate glimpse into the life of a young woman in the late 19th century, including her struggle with her own mortality. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Malgré les pressions de son entourage qui souhaiterait la voir mariée, Marie Bashkirtseff veut se consacrer à l'Art. À vingt-deux ans, écrit-elle, je serai célèbre ou morte. Contrainte d'arrêter le chant, sa première passion, la jeune fille se tourne alors vers le dessin et la peinture qu'elle étudie à l'Académie Julian. Ambitieuse, talentueuse, elle expose pour la première fois au Salon de 1880 et elle obtient son premier succès en 1883. Mais la maladie détruit subitement tous ses rêves et sa carrière prometteuse. Condamnée par les médecins, elle se battra néanmoins courageusement pour s'imposer comme artiste et comme femme dans un monde où les hommes ont tous les avantages. On a tant réclamé d'égalités et de libertés pour les femmes, et tant de gens intelligents et éclairés s'en sont moqués, que ces seuls mots de droits des femmes nous remplissent d'une mauvaise honte, et pourtant le droit ou l'égalité que nous réclamons n'ont rien à faire avec la politique et ne touchent d'aucune part ni au nihilisme, ni au socialisme, ni au bonapartisme, ni au droit de voter, ni à l'éligibilité des femmes. Toutes ces questions ont été agitées partout, on a parlé d'une quantité d'injustices plus ou moins abominables au préjudice du sexe faible, il n'y en a qu'une qu'on a laissée en repos, justement peut-être parce que c'est la plus vraie, la plus saisissante, la plus cruelle: l'absence d'une école des Beaux-Arts pour les femmes. Comment, disent les étrangers ébahis, les femmes sont admises à l'École de médecine, et l'École des beaux-arts leur est fermée ! Mais chez nous, à Saint-Pétersbourg, ou chez nous à Stockholm, les dames sont reçues à l'Académie et nous ne sommes pas la France, nous ne sommes pas Paris ! (...) Ceux qui se moquent des talents féminins ne sauront jamais combien de dispositions sérieuses, de tempéraments réels et remarquables ont été découragés et atrophiés par une éducation vicieuse ou incomplète. L'artiste femme est tout aussi intéressante que l'artiste homme. On dira que, sauf deux ou trois exceptions, il n'y a pas eu d'exemple de femmes ayant fourni à l'art des personnalités considérables d'artistes comparables aux artistes hommes, oui, mais les hommes reçoivent dans une des plus magnifiques écoles du monde une éducation intelligente et grandiose; pendant tout le jour ils sont entourés des beautés de l'Art, leur yeux ne reposent que sur lignes pures et couleurs éclatantes, ils respirent une atmosphère propre à ouvrir leur âme à l'inspiration et à développer les ailes de leur imagination qui doivent les porter vers le génie. Et pour les femmes, rien ! ou le hasard des ateliers privés. Quoi d'étonnant alors que, sauf deux ou trois exceptions, les femmes n'aient jamais fourni à l'art sérieux de personnalités considérables. Et pourquoi cette injustice envers la femme qui est prouvée mille fois plus courageuse, plus vaillante, ayant, outre la pauvreté malheureusement commune aux uns et aux autres, à lutter contre de terribles préjugés et des difficultés sans nombre, n'ayant même pas la liberté d'allures de l'homme ? C'est à l'homme qui, par sa nature même, a toutes les facilités d'étudier, que l'on donne tous les moyens, et c'est à la femme, qui est naturellement privée de la liberté d'allures et qui a à lutter contre tout et tous, c'est à la femme qu'on refuse cet enseignement. Il y a déjà sans cela trop de femmes artistes, dira-t-on; la femme est faite pour le foyer. Hélas ! ce n'est pas en leur ôtant le moyen de satisfaire une noble passion qu'on leur donnera l'envie de filer de la laine. Lettre à Rodolphe Julian (extrait). Édition annotée et illustrée de tableaux et de photographies (en noir et blanc pour la version imprimée) également disponible au format numérique. Les articles publiés par Marie Bashkirtseff dans le journal féministe La
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Journal Of Marie Bashkirtseff Marie Bashkirtseff Mathilde Blind Cassell, 1890 Painters; Russians
""The Further Memoirs of Marie Bashkirtseff"" is a book that was published in 1901 and is written by Marie Bashkirtseff. The book is a continuation of the memoirs of the author, who was a Ukrainian artist and writer. The memoirs cover the period from 1880 to 1884, and provide a fascinating insight into the life of a young woman in the late 19th century.The book also includes a correspondence between Marie Bashkirtseff and Guy de Maupassant. Guy de Maupassant was a French writer and a close friend of Marie Bashkirtseff. The correspondence between the two provides a glimpse into their friendship and their thoughts on various topics.The memoirs are divided into several chapters, each covering a different period of Marie Bashkirtseff's life. The chapters cover topics such as her art, her relationships, her travels, and her struggles with illness. The book provides a candid and honest portrayal of Marie Bashkirtseff's life, and is a valuable resource for anyone interested in the life of a young woman in the late 19th century.Overall, ""The Further Memoirs of Marie Bashkirtseff"" is a fascinating and insightful book that provides a unique perspective on the life of a young woman in the late 19th century. The book is a must-read for anyone interested in the history of women's lives and the arts in the late 19th century.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This Is A New Release Of The Original 1901 Edition.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
The book ""Letters of Marie Bashkirtseff"" is a collection of personal letters written by the Ukrainian artist Marie Bashkirtseff, published posthumously in 1891. The letters were written between 1873 and 1884, and provide a unique insight into the life and thoughts of a young woman living in 19th century Europe.Marie Bashkirtseff was a talented artist, writer, and diarist who died at the young age of 25 from tuberculosis. Her letters reveal her passion for art, her struggles with illness, and her desire for recognition and success. She also writes about her relationships with family and friends, her travels, and her observations on society.The letters are written in a candid and often emotional style, and offer a glimpse into the mind of a woman who was ahead of her time in many ways. They provide a fascinating portrait of a young artist and woman in 19th century Europe, and are a valuable resource for anyone interested in women's history, art history, or the history of Europe in the late 19th century.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Lettres de Marie Bashkirtseff; Préface de François Coppée, a été considérée comme importante tout au long de l'histoire de l'humanité. Dans un effort pour s'assurer que ce travail ne soit jamais perdu, nous avons pris des mesures pour assurer sa préservation en republiant ce livre dans un format moderne pour les générations actuelles et futures. Ce livre complet a été retapé, remanié et reformaté. Comme ces livres ne sont pas des scans des publications originales des auteurs, le texte est lisible et clair.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Letters of Marie Bashkirtseff is an unchanged, high-quality reprint of the original edition of 1891.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
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