Bøger af Marilynne Robinson

For generations, the Book of Genesis has been treated by scholars as a collection of documents by various hands expressing different factional interests, with borrowings from other ancient literatures that mark the text as derivative. In other words, academic interpretation of Genesis has centred on the question of its basic coherency, just as fundamentalist interpretation has centred on the question of the appropriateness of reading it as literally true.Both of these approaches preclude an appreciation of its greatness as literature, its rich articulation and exploration of themes that resonate through the whole of Scripture. Marilynne Robinson's new book is a powerful consideration of the profound meanings and promise of God's enduring covenant with man. Her magisterial book radiates gratitude for the constancy and benevolence of God's abiding faith in Creation.

John Ames Boughton, Jack, er den fortabte søn af Gileads presbyterianske præst. Han er stukket af hjemmefra og lever som hjemløs i St. Louis. Her forelsker han sig voldsomt i den afro-amerikanske Della Miles, en generøs, uafhængig high school-lærer, der også er barn af en prædikant.Jack og Dellas dybtfølte, plagede og uheldsvangre kærlighedshistorie i 1950’ernes segregerede St. Louis resonerer med alle paradokser i det amerikanske liv - dengang og nu. En fortælling om skyld, skam, kærlighed, forventninger, skuffelse og et møde i poesien.Gilead-romanerne af den amerikanske forfatter Marilynne Robinson kredser om vores følelsers kraft og kompleksiteten i den amerikanske historie efter Borgerkrigen; de undersøger bl.a. hvordan Borgerkrigen stadig påvirker spørgsmålene om race og religion i det 20. og 21. århundredes USA. Jack kan læses selvstændigt.

From one of the English language's great writers. Revisiting her beloved characters, Jack joins Gilead, winner of the Pulitzer; Home, winner of the Women's Prize for Fiction and Lila, which won the National Book Critics Circle Award. This is the compassionate and heart-breaking story of the wayward son, Jack Boughton.

Efter den store succes med Marilynne Robinsons Gilead, genudsendes nu hendes poetiske og forunderlige debutroman, oversat af Inger Christensen. Historien fortælles af den forældreløse, stille og drømmende Ruth, som sammen med sin søster opdrages først af bedstemoren og senere af to bekymrede grandtanter for endelig at havne hos en moster, hvorfra hun ender med at flygte.

WINNER OF THE WOMEN'S PRIZE FOR FICTION 2009Hundreds of thousands of readers were enthralled and delighted by the luminous, tender voice of John Ames in Gilead, Marilynne Robinson's Pulitzer Prize-winning novel.Now comes Home, a deeply affecting novel that takes place in the same period and same Iowa town of Gilead. This is Jack's story. Jack - prodigal son of the Boughton family, godson and namesake of John Ames, gone twenty years - has come home looking for refuge and to try to make peace with a past littered with trouble and pain. A bad boy from childhood, an alcoholic who cannot hold down a job, Jack is perpetually at odds with his surroundings and with his traditionalist father, though he remains Boughton's most beloved child. His sister Glory has also returned to Gilead, fleeing her own mistakes, to care for their dying father. Brilliant, loveable, wayward, Jack forges an intense new bond with Glory and engages painfully with his father and his father's old friend John Ames.

In 1956, toward the end of Reverend John Ames's life, he begins a letter to his young son, a kind of last testament to his remarkable forebears.'It is a book of such meditative calm, such spiritual intensity that is seems miraculous that her silence was only for 23 years; such measure of wisdom is the fruit of a lifetime. Robinson's prose, aligned with the sublime simplicity of the language of the bible, is nothing short of a benediction. You might not share its faith, but it is difficult not to be awed moved and ultimately humbled by the spiritual effulgence that lights up the novel from within' Neel Mukherjee, The Times'Writing of this quality, with an authority as unforced as the perfect pitch in music, is rare and carries with it a sense almost of danger - that at any moment, it might all go wrong. In Gilead, however, nothing goes wrong' Jane Shilling, Sunday Telegraph

1950'ernes USA: Lila, som er både ensom og hjemløs, søger ly fra regnen iden lille by Gileads kirke, og her møder hun kirkens pastor. Herfra forandres hendes tilværelse sig radikalt.I årevis har hun vandret formålsløst rundt, men nu befinder hun sig pludselig i faste rammer i et lille samfund, hvor hun har slået sig ned som hustru til byens noget ældre pastor John Ames. Lila voksede op sammen med Doll, en ung og snarrådig vagabond, som tog hende til sig, og sammen levede de fra hånden til munden uden andre end hinanden at stole på. På trods af de hårde kår, var der imidlertid også glimt af ømhed og kærlighed i deres omflakkende tilværelse. Efter at Lila slår sig ned i Gilead, kæmper hun for at forene sin tidligere barske tilværelse med sit nye liv i faste rammer og med sin mands kristne verdenssyn.

One of our greatest novelists and thinkers presents a radiant, thrilling interpretation of the book of Genesis.For generations, the book of Genesis has been treated by scholars as a collection of documents, by various hands, expressing different factional interests, with borrowings from other ancient literatures that mark the text as derivative. In other words, academic interpretation of Genesis has centered on the question of its basic coherency, just as fundamentalist interpretation has centered on the question of the appropriateness of reading it as literally true. Both of these approaches preclude an appreciation of its greatness as literature, its rich articulation and exploration of themes that resonate through the whole of Scripture. Marilynne Robinson's Reading Genesis, which includes the original text, is a powerful consideration of the profound meanings and promise of God's enduring covenant with man. This magisterial book radiates gratitude for the constancy and benevolence of God's abiding faith in Creation.

A NEW YORK TIMES BESTSELLER . OPRAH'S BOOK CLUB PICK . A NEW YORK TIMES NOTABLE BOOK OF THE YEAR NAMED A BEST OF THE YEAR BY: NPR, TIME, ESQUIRE, THE GUARDIAN, LIT HUB, ELECTRIC LITERATURE, THE FINANCIAL TIMES, THE NEW YORK PUBLIC LIBRARY. "With the sublime Jack, [Marilynne Robinson] resumes and deepens her quest, extending it to the contemplation of race . . . There is richness and depth at every turn."-O, the Oprah MagazineMarilynne Robinson, winner of the Pulitzer Prize and the National Humanities Medal, returns to the world of Gilead with Jack, the latest novel in one of the great works of contemporary American fictionMarilynne Robinson's mythical world of Gilead, Iowa-the setting of her novels Gilead, Home, Lila, and now Jack-and its beloved characters have illuminated and interrogated the complexities of American history, the power of our emotions, and the wonders of a sacred world. Jack is Robinson's fourth novel in this now-classic series. In it, Robinson tells the story of John Ames Boughton, the prodigal son of Gilead's Presbyterian minister, and his romance with Della Miles, a high school teacher who is also the child of a preacher. Their deeply felt, tormented, star-crossed interracial romance resonates with all the paradoxes of American life, then and now. Robinson's Gilead novels, which have won one Pulitzer Prize and two National Book Critics Circle Awards, are a vital contribution to contemporary American literature and a revelation of our national character and humanity.

In this powerful, eloquent, and elucidating essay, Marilynne Robinson has pinpointed exactly the motives and the mythology and the reality behind the destruction of our planet. The Sellafield nuclear reprocessing plant in Great Britain is a perfect metaphor for twentieth-century genocide. Not the small, insane eruptions of eradication that took place in Hitler's Germany, but rather that routine, day-to-day, thoroughly "democratic" envenomation of the planet by a current industrial magic (encouraged, or at least condoned, by almost everybody), which threatens to terminate everything on earth in the quite foreseeable future.Robinson's book is as powerful a contribution to the literature of revelation and protest as was that seminal photographic essay by W. Eugene and Aileen Smith on Minamata's disease fifteen years ago. It is as bloodcurdling as Rachel Carson's Silent Spring, as thought-provoking and prophetic as the best works of people like Barry Commoner and Loren Eiseley.This is a work of great intelligence and fine investigative reporting. It is also a lucid interpretation of history, and very important in its discussions of the roots of current dilemmas. And lastly, Mother Country is courageous, and marvelous literature at its best.

A New York Times Book Review Editors' ChoiceA New York Times BestsellerA New York Magazine Best Book of the YearAn Economist Best Book of the Year Pulitzer Prize-Winning Author of Gilead Marilynne Robinson has built a sterling reputation as a writer of sharp, subtly moving prose, not only as a major American novelist, but also as a rigorous thinker and incisive essayist. In When I Was a Child I Read Books she returns to and expands upon the themes which have preoccupied her work with renewed vigor.In "Austerity as Ideology," she tackles the global debt crisis, and the charged political and social political climate in this country that makes finding a solution to our financial troubles so challenging. In "Open Thy Hand Wide" she searches out the deeply embedded role of generosity in Christian faith. And in "When I Was a Child," one of her most personal essays to date, an account of her childhood in Idaho becomes an exploration of individualism and the myth of the American West. Clear-eyed and forceful as ever, Robinson demonstrates once again why she is regarded as one of our essential writers.

In this award-winning collection, the bestselling author of Gilead offers us other ways of thinking about history, religion, and society. Whether rescuing "e;Calvinism"e; and its creator Jean Cauvin from the repressive "e;puritan"e; stereotype, or considering how the McGuffey readers were inspired by Midwestern abolitionists, or the divide between the Bible and Darwinism, Marilynne Robinson repeatedly sends her reader back to the primary texts that are central to the development of American culture but little read or acknowledged today.A passionate and provocative celebration of ideas, the old arts of civilization, and life's mystery, The Death of Adam is, in the words of Robert D. Richardson, Jr., "e;a grand, sweeping, blazing, brilliant, life-changing book."e;

New essays by the Orange and Pulitzer Prize winning author of Gilead, Home and Lila. In this collection, Marilynne Robinson, one of today's most important thinkers - admired by President Obama, and so many others - impels us to action and offers us hope.

A profound essay collection from the beloved author of Gilead, Houskeeping and Lila, now including Marilynne Robinson's conversation with President Barack Obama. Robinson has plumbed the depths of the human spirit in her trilogy of novels - Pulitzer Prize-winning Gilead, Orange-Prize winning Home and National Book Critics Circle Award-winning Lila - and in her moving essay collection When I Was a Child I Read Books. Now, in The Givenness of Things, she brings a profound sense of awe and an incisive mind to the essential questions of contemporary life and faith. Through fourteen essays of remarkable depth and insight, Robinson explores the dilemmas of our modern predicament. How has our so-called Christian nation strayed from so many of the teachings of Christ? How could the great minds of the past, Calvin and Locke-and Shakespeare-guide our lives? And what might the world look like if we could see the sacredness in each other? Exquisite and bold, these essays are a necessary call for us to find wisdom and guidance in our cultural treasures, to seek humanity and compassion in each other. The Givenness of Things is a reminder of what a marvel our existence is in its grandeur - and its humility.

Lila, homeless and alone after years of roaming the countryside, steps inside a small-town Iowa church-the only available shelter from the rain-and ignites a romance and a debate that will reshape her life. She becomes the wife of a minister and widower, John Ames, and begins a new existence while trying to make sense of the days of suffering that preceded her newfound security.Neglected as a toddler, Lila was rescued by Doll, a canny young drifter, and brought up by her in a hardscrabble childhood of itinerant work. Together they crafted a life on the run, living hand-to-mouth with nothing but their sisterly bond and a lucky knife to protect them. But despite bouts of petty violence and moments of desperation, their shared life is laced with moments of joy and love. When Lila arrives in Gilead, she struggles to harmonize the life of her makeshift family and their days of hardship with the gentle worldview of her husband which paradoxically judges those she loves.Revisiting the beloved characters and setting of Marilynne Robinson's Pulitzer Prize-winning Gilead and Orange Prize-winning Home, Lila is a moving expression of the mysteries of existence.

Of Marilynne Robinson, Michael Arditti said that there is 'no contemporary novelist whose work I would rather read' However she is not only a writer of sharp, subtly moving prose, but also a rigorous thinker and incisive essayist. In this luminous new collection she returns to the themes which have preoccupied her bestselling novels: the place literature has in life, the role of faith in modern living, the contradictions inherent in human nature. Clear-eyed and forceful as ever, Robinson demonstrates once again why she is regarded as one of our best-loved writers.