Bøger af Mark Bauerlein

This definitive work on the perils and promise of the social- media revolution collects writings by today's best thinkers and cultural commentators, with an all-new introduction by Bauerlein.Twitter, Facebook, e-publishing, blogs, distance-learning and other social media raise some of the most divisive cultural questions of our time. Some see the technological breakthroughs we live with as hopeful and democratic new steps in education, information gathering, and human progress. But others are deeply concerned by the eroding of civility online, declining reading habits, withering attention spans, and the treacherous effects of 24/7 peer pressure on our young.With The Dumbest Generation, Mark Bauerlein emerged as the foremost voice against the development of an overwhelming digital social culture. But The Digital Divide doesn't take sides. Framing the discussion so that leading voices from across the spectrum, supporters and detractors alike, have the opportunity to weigh in on the profound issues raised by the new media-from questions of reading skills and attention span, to cyber-bullying and the digital playground- Bauerlein's new book takes the debate to a higher ground.The book includes essays by Steven Johnson, Nicholas Carr, Don Tapscott, Douglas Rushkoff, Maggie Jackson, Clay Shirky, Todd Gitlin, and many more. Though these pieces have been previously published, the organization of The Digital Divide gives them freshness and new relevancy, making them part of a single document readers can use to truly get a handle on online privacy, the perils of a plugged-in childhood, and other technology-related hot topics.Rather than dividing the book into "pro" and "con" sections, the essays are arranged by subject-"The Brain, the Senses," "Learning in and out of the Classroom," "Social and Personal Life," "The Millennials," "The Fate of Culture," and "The Human (and Political) Impact." Bauerlein incorporates a short headnote and a capsule bio about each contributor, as well as relevant contextual information about the source of the selection.Bauerlein also provides a new introduction that traces the development of the debate, from the initial Digital Age zeal, to a wave of skepticism, and to a third stage of reflection that wavers between criticism and endorsement.Enthusiasms for the Digital Age has cooled with the passage of time and the piling up of real-life examples that prove the risks of an online-focused culture. However, there is still much debate, comprising thousands of commentaries and hundreds of books, about how these technologies are rewriting our futures. Now, with this timely and definitive volume, readers can finally cut through the clamor, read the the very best writings from each side of The Digital Divide, and make more informed decisions about the presence and place of technology in their lives.

In 1906, in a bitter gubernatorial contest, Georgia politicians played the race card and white supremacists trumpeted a Negro crime scare. Drawing on archival materials, this title traces the origins, development and brutal climax of Atlanta's descent into hatred and violence in that fateful summer.

A study of the pragmatism of Emerson, James, and Peirce and its relevance for the neopragmatism of thinkers like Richard Rorty, Stanley Fish, and Cornel West. In offering neopragmatism, a theory of the mind taken from Emerson, James, and Peirce, this book suggests that the neopragmatists' arguments can be sharpened across a variety of disciplines.

Literary CriticismAn AutopsyMark Bauerlein"It's later than you think! Literary critics, practicing and prospective, had better take a close look at Mark Bauerlein's mordant and humorous 'autopsy.'"--Frederick Crews, editor, Unauthorized Freud: Doubters Confront a Legend"There isn't another book like this: a primer and a polemic on the jargon of literary study, impressive in its range of examples and uncompromising in its critique. Bauerlein describes the motives of several prospering forms of contemporary obscurantism, analyzes the conditions in which they arose, and maps the terrain in which they continue to flourish. His account is written with nerve, wit, and a tough-minded intelligence."--David Bromwich, Yale University"A thesis I both understand and endorse. . . . I agree with him when he writes that the critical terms currently fashionable have very little to do with literature."--Philip Thody, Journal of European Studies"This slim volume with its seemingly innocuous title takes the buzz words of contemporary critical theory to task for their pseudostatus as methodological tools…The items under the knife--cultural studies, discourse, gender theory, to pluck out a few--highlight how little real cutting edge there is in current literary criticism."--Forum for Modern Language Studies"A shrewd demonstration, amusing and saddening at once, of what has gone wrong with so much academic writing in the field that used to be literature. It is in its way a pointed and revealing piece of cultural criticism, but of the sort which that fashionable pursuit cannot--and for reasons Bauerlein's excellent little book implies--perform."--John Hollander, Yale UniversityAs the study of literature has extended to cultural contexts, critics have developed a language all their own. Yet, argues Mark Bauerlein, scholars of literature today are so unskilled in pertinent sociohistorical methods that they compensate by adopting cliches and catchphrases that serve as substitutes for information and logic. Thus by labeling a set of ideas an "ideology" they avoid specifying those ideas, or by saying that someone "essentializes" a concept they convey the air of decisive refutation. As long as a paper is generously sprinkled with the right words, clarification is deemed superfluous.Bauerlein contends that such usages only serve to signal political commitments, prove membership in subgroups, or appeal to editors and tenure committees, and that current textual practices are inadequate to the study of culture and politics they presume to undertake. His book discusses 23 commonly encountered terms--from "deconstruction" and "gender" to "problematize" and "rethink"--and offers a diagnosis of contemporary criticism through their analysis. He examines the motives behind their usage and the circumstances under which they arose and tells why they continue to flourish.A self-styled "handbook of counterdisciplinary usage," Literary Criticism: An Autopsy shows how the use of illogical, unsound, or inconsistent terms has brought about a breakdown in disciplinary focus. It is an insightful and entertaining work that challenges scholars to reconsider their choice of words--and to eliminate many from critical inquiry altogether.Mark Bauerlein is Professor of English at Emory University. He is editor of The Turning World: American Literary Modernism and Continental Theory