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This book is the first major study of Britain's pioneering graphic satirist, Sir Francis Carruthers Gould (1844-1925), the first staff political cartoonist on a daily newspaper in Britain, and the first of his kind to be knighted. Written by the distinguished media historian, Colin Seymour-Ure, it is essential reading for anyone interested in cartoons, caricature and illustration. Reprinted here in book form for the first time is Professor Seymour-Ure's essay 'How Special Are Cartoonists', first published 50 years ago to mark the inauguration of the British Cartoon Archive at the University of Kent. A personal 'miscellany' rather than a detailed biography, the book examines Gould's career from when he left work at the London Stock Exchange to become political cartoonist on the influential Pall Mall Gazette and later the Westminster Gazette until his retirement after the First World War. It also discusses his monthly Picture Politics, as well as his illustrations for magazines and books and his own 'Froissart's Modern Chronicles' series. In addition, there is an analysis of the symbolism and literary allusion used in his drawings to lampoon such eminent politicians as Gladstone, Joseph Chamberlain and Arthur Balfour. Never unkind in his work ('I etch with vinegar not vitriol'), Gould was the leading satirical artist of his day. As Lord Baker says in his Foreword, this book is 'a major contribution to our knowledge of British cartooning.'
British cartoonists and caricaturists are renowned worldwide. Originally published in 2000, this indispensable handbook offers a unique 'who's who' of all the major artists working in Britain in the twentieth century and contains nearly 500 entries. Extensively illustrated, the book provides information on the work of artists such as Steve Bell, Gerald Scarfe, Posy Simmonds, Ronald Searle, Trog, mac and Larry as well as such past masters as David Low, Vicky, H. M. Bateman, Illingworth, Heath Robinson and more. The dictionary concentrates primarily on political cartoonists, caricaturists and joke or 'gag' cartoonists, actively working for the main Fleet Street national dailies and weeklies from 1900 to 1995. Each entry is cross-referenced and provides a concise biographical outline with an account of the artist's style, influences and preferred medium. Where relevant the entry includes suggestions for further reading and notes solo exhibitions, books illustrated and works held in public collections. The Dictionary of Twentieth-Century British Cartoonists and Caricaturists offers an insight into the lives of satirical artists working during a century that provoked cartoonists and caricaturists to a pitch of comic and artistic invention that has rarely been matched.
A wonderful selection of writing on dogs, from Plato to Virginia Woolf, and from ancient Egypt to twentieth-century New York
Using images from a wide variety of international wartime magazines, newspapers, books, postcards, posters and prints Mark Bryant tells the history of World War I from both sides of the conflict in an immediate and refreshing manner that brings history alive.
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