Bøger af Mark Goldblatt

Thirteen-year-old David Salmon is getting over his mom's sudden decision to pick up and leave. He seems to be adjusting fairly well, but then a strange thing happens. He meets a middle-aged Englishman named Winston outside his house. David suspects that Winston may not be real, but he seems harmless enough, as hallucinations go, and the two of them become friends. If nothing else, Winston is a welcome distraction from the mess at home; David's dad cannot seem to cope with his wife's decision move out. Winston also proves a valuable advisor in navigating the trials of middle school-best friend problems and a budding romance. Eventually, however, Winston confesses the real reason he showed up: he needs David to deliver a message. It's a journey David desperately doesn't want to make...because it takes him somewhere he desperately doesn't want to go. Might As Well Be Dead is a story about a boy in crisis. Be ready to laugh. Be ready to cry. Be advised: all you need is love.

"Have you ever tried to convince someone you weren't crazy?" So begins the seduction journal of the unnamed narrator of Sloth. It's not a mere hypothetical because he's fallen in love with a TV exercise girl named Holly Servant; he must convince her of his sanity from afar if he's ever to woo her in the flesh. But how can he win her heart when he's a waiter--that is, a man who waits in long lines for a living? How can he cut the line to her affections? Women like Holly don't date the likes of him. So he assumes the identity of his friend Zezel, a former newspaper columnist who once wrote under the pen name "Mark Goldblatt." But in this satire of postmodernism, which is also a postmodern satire, nothing is what it seems. Does Holly actually exist, or is she a figment of the narrator's imagination? Does Zezel actually exist, or is he an alter-ego who takes over the narrator's journal? Does the narrator have a name, or is he just an excuse to ask questions? (And who's writing this cover copy, come to think of it?) Nothing of the sort concerns Detective Lacuna. He only wants to know who murdered the male prostitute who used to cruise for tricks out down the block from the narrator's apartment. Sloth is a timeless love story with a rim shot core, a pulse-quickening mystery wrapped in knish skin. You'll never look at your reflection the same way after you've read it.

It''s not like I meant for him to get hurt. . . .Julian Twerski isn''t a bully. He''s just made a big mistake. So when he returns to school after a weeklong suspension, his English teacher offers him a deal: if he keeps a journal and writes about the terrible incident that got him and his friends suspended, he can get out of writing a report on Shakespeare. Julian jumps at the chance. And so begins his account of life in sixth grade--blowing up homemade fireworks, writing a love letter for his best friend (with disastrous results), and worrying whether he''s still the fastest kid in school. Lurking in the background, though, is the one story he can''t bring himself to tell, the one story his teacher most wants to hear.Inspired by Mark Goldblatt''s own childhood growing up in 1960s Queens, Twerp shines with humor and heart. This remarkably powerful story will have readers laughing and crying right along with these flawed but unforgettable characters.Praise for Twerp:   A Bankstreet Best Book of the Year   A Junior Library Guild Selection   A Summer Top Ten Kids’ Indie Next List PickA Sunshine State Award Finalist   “Reminiscent of The Perks of Being a Wallflower. . . . You don’t have to be a twerp to read this book.” —New York Post   “A vivid, absorbing story about one boy’s misadventure, heartache, and hope for himself.” —Rebecca Stead, Newbery Award-winning author of When You Reach Me   “Mark Goldblatt is an amazingly wonderful writer.” —Chris Grabenstein, New York Times bestselling author of Escape from Mr. Lemoncello’s Library   “[Fans of] Jeff Kinney’s Diary of a Wimpy Kid who have matured beyond the scope and gravity of that series will find a kindred spirit in Julian.” —School Library Journal   “Reminiscent of movies like The Sandlot. . . . Well-written and funny.” —The Advocate   “Alternately poignant and comical. . . . A thought-provoking exploration of bullying, personal integrity and self-acceptance.” —Kirkus Reviews   “A timely book.” —New York Journal of Books   “Elegant in its simplicity and accessibility.” —The Bulletin of the Center for Children’s Books   “An empathetic and authentic glimpse into the mind of a sixth-grade boy.” —The Florida Times-Union   “Funny, poignant, and an effective commentary on bullying and its consequences.” —The Horn Book Magazine