Bøger af Mark Haskell Smith

People have been getting naked in public for reasons other than sex for centuries. But as novelist and narrative journalist Mark Haskell Smith shows in Naked at Lunch, being a nudist is more complicated than simply dropping trou. “Nonsexual social nudism,” as it’s called, rose to prominence in the late nineteenth century. Intellectuals, outcasts, and health nuts from Victorian England and colonial India to Belle Époque France and Gilded Age Manhattan disrobed and wrote manifestos about the joys of going clothing-free. From stories of ancient Greek athletes slathered in olive oil to the millions of Germans who fled the cities for a naked frolic during the Weimar Republic to American soldiers given “naturist” magazines by the Pentagon in the interest of preventing sexually transmitted diseases, Haskell Smith uncovers nudism’s amusing and provocative past.Naked at Lunch is equal parts cultural history and gonzo participatory journalism. Coated in multiple layers of high SPF sunblock, Haskell Smith dives into the nudist world today. He publicly disrobes for the first time in Palm Springs, observes the culture of family nudism in a clothing-free Spanish town, and travels to the largest nudist resort in the world, a hedonist’s paradise in the south of France. He reports on San Francisco’s controversial ban on public nudity, participates in a week of naked hiking in the Austrian Alps, and caps off his adventures with a week on the Big Nude Boat, a Caribbean cruise full of nudists.

Biting satire and criminal mischief abound in Mark Haskell Smith's new novel that follows a Wall Street trader who disappears-with millions in stolen cash-and the madcap team of investigators on his trail in the Cayman Islands in this hot, hilarious case of offshore banking gone awry

Sepp Gregory, a reality-TV hunk and one of People magazine's "sexiest men alive," is on tour to promote his debut novel. Not that Sepp hass actually read the book. He doesn't have to, he lived it! And everyone just wants him to take his shirt off. The book has hit the bestseller list and is even getting rave reviews from serious critics. Aside from Harriet Post, that is. One of the blogosphere's most respected literary minds, Harriet fears that the novel's reception means the end of civilization is upon us. Determined to pen an expose on the publishing industry, Harriet hijacks the book tour and uncovers the ghostwriter. Reality and "reality" collide, and a tragic accident sends Sepp and Harriet off on a sex-fueled roadtrip through the Southwest.

"Rude Talk in Athens is brave, brilliant, and incredibly funny. There are loads of very specific characters, including Mark himself. It's the Mark Haskell Smith version of hanging out with Stanley Tucci and Anthony Bourdain, but in present day and ancient Greece. I agree with everything he says about comedy and have never read anything like it." -Barry Sonnenfeld, Film Director and author of Barry Sonnenfeld, Call Your Mother: Memoirs of a Neurotic FilmmakerIn ancient Athens, thousands would attend theatre festivals that turned writing into a fierce battle for fame, money, and laughably large trophies. While the tragedies earned artistic respect, it was the comedies¿the raunchy jokes, vulgar innuendo, outrageous invention, and barbed political commentary¿that captured the imagination of the city. The writers of these comedic plays feuded openly, insulting one another from the stage, each production more inventive and outlandish than the last, as they tried to win first prize. Of these writers, only the work of Aristophanes has survived and it¿s only through his plays that we know about his peers: Cratinus, the great lush; Eupolis, the copycat; and Ariphrades, the sexual deviant. It might have been the golden age of Democracy, but for comic playwrights, it was the age of Rude Talk. Watching a production of an Aristophanes play in 2019 CE and seeing the audience laugh uproariously at every joke, Mark Haskell Smith began to wonder: what does it tell us about society and humanity that these ancient punchlines still land? When insults and jokes made thousands of years ago continue to be both offensive and still make us laugh? Through conversations with historians, politicians, and other writers, the always witty and effusive Smith embarks on a personal mission (bordering on obsession) exploring the life of one of these unknown writers, and how comedy challenged the patriarchy, the military, and the powers that be, both then and now. A comic writer himself and author of many books and screenplays, Smith also looks back at his own career, his love for the uniquely dynamic city of Athens, and what it means for a writer to leave a legacy.